The focus of this literature review is out-of-school time activities in informal environments, a "vastly understudied" set of experiences (Carnegie Council on Adolescent Development 1992), and the role these experiences can have in shaping the direction of youth to pursue STEM careers. By understanding the research base on this topic we can better understand the ways that interventions can lead to more young people choosing STEM professions. Our goal is to contribute to these infrastructure building efforts by synthesizing the relevant research for ITEST project staff, NSF Program Officers and
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ITEST Learning Resource CenterJennifer DorsenBethany CarlsonLeslie Goodyear
The article focuses on the creation and development of an interactive science museum by middle level students as part of informal science education in the U.S. The said project which primarily targets fifth-grade students aimed at maximizing the active engagement of a learner during his or her experience. It also promotes the minimization of lecture-laden instruction while maximizing an experience-based learning system. The project which is adopted in the late part of 2006 help students to review and synthesize information, collaborate with peers, and specialize science topics.
The Human Orrery is an innovative outdoor exhibit in the grounds of the Armagh Observatory in Northern Ireland. Stainless steel disks mark the orbits of the classical planets, two comets, and the dwarf planet Ceres with a high level of precision. The idea is to provide a large-scale interactive educational facility to promote greater public understanding of astronomy, mathematics, and space science. In the Human Orrery, people play the part of planets moving in their orbits. Thus, visitors can learn, through active involvement, about the motions of the planets and the position of the Earth and
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D.J. AsherM.E. BaileyA.A. ChristouM.D. Popescu
As the astronomy education community develops, a need has arisen for concrete research and evaluation methodologies, especially within informal educational settings. We propose one such methodology, action evaluation, which attempts to demystify the process of research/evaluation and recruit as partners those who are traditionally left out of this process. Based on the tradition of action research, this methodology incorporates research/evaluation into the fabric of programs and places the researcher/educator in a centralized role. We provide concrete examples of tools that we have used to
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Nicholas StroudMeghan GroomeRachel ConnollyKeith Sheppard
In this article, Gianna Moscardo, Associate Professor in the School of Business at James Cook University, Townsville, Australia, offers six cautionary tales about the challenges of collecting visitor data. Her stories come from twelve years of visitor survey research conducted in an number of locations around Australia.
In this article, Megan Axelsen, an Associate Lecturer and a PhD student at the University of Queensland in Australia, explores visitors' perceptions of festivals in art galleries. Axelsen also identifies several characteristics that distinguish festivals from other special events.
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Megan Axelsen
resourceresearchProfessional Development, Conferences, and Networks
This forum article was adapted from a White Paper presented in 2005 at the National Academies in Washington D.C., by VSA President-Elect Kathleen McLean. This provocative article suggests that there is a gap between the world-views of museum practitioners and those of visitor studies professionals and academic researchers. Although many of the questions being asked by practitioners appear similar to research with which we are familiar, it is suggested that these results are not always accessible to practitioners in a form that can be easily applied.
This paper reports findings from a study at the Exploratorium of a single physics exhibit that compared three labels and assessed visitors' attitudes and behavior. Based on interviews with 60 visitors, evaluators found a preference for labels containing both questions and suggestions, but that this type of phrasing may not always affect visitor behavior.
This paper reports findings from a study that evaluated the impact child-centered discovery trolleys have on 4-8 year old children's museum experiences. The Queensland Museum developed a set of resource trolleys to introduce young visitors to museums and their collections. Findings from this study add to the body of knowledge on this topic and may have important implications for designing museum experiences that stimulate children's interest in museums and increase learning outcomes. A copy of the questionnaire used in the study is included in the appendix of this paper.
This study expands our understanding of family learning by looking closely at mother-child interaction with mothers and their preschool aged children (3-5). Conversation between adults and children in museums has historically been the most common indicator of learning. Most of those studies have been conducted with parents and children 6 and older. However, this study demonstrates that mothers of younger children use forms of interaction besides language to support their children's museum experience. Many of these interactions are subtle and non-verbal.
This paper examines one Australian museum’s commitment to create social awareness of political issues within its community. The paper begins by discussing the challenge of cultural representation of Indigenous peoples in the context of civic engagement. Some of the historical and political issues facing Indigenous Australians and their representation in Museums are discussed. A study of the Indigenous Australians exhibition at the Australian Museum in Sydney investigates visitors’ perceptions of the exhibition. Recommendations are made as they relate to community partnerships, interpretive
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Katherine S. H. BoumanAustralian Museum
This paper was presented as part of a Keynote Address at the Visitor Studies Association Conference, July 2006, Grand Rapids, Michigan. Speaker Cheryl Meszaros, director of public programs at the Vancouver Art Museum, presents a brief historical overview of interpretation, identifying "endangered aspects of interpretation," as well as a brief history of interpretive practices in museums that culminate in "whatever" interpretation, in which we say one thing but do the opposite.