Overview
In 2020, RK&A (now Kera Collective) partnered with the National Museum of Natural History to conduct a summative evaluation of the David H. Koch Hall of Fossils: Deep Time, a 31,000 square foot exhibition that explores how Earth’s distant past shapes our future.
Our evaluation explored how visitors process complex scientific topics, such as climate change, mass extinctions, the evolution of life on Earth, and humans’ role in positively impacting Earth’s future.
Approach
We designed a large-scale evaluation study with four distinct but interrelated parts:
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Arizona State University, in partnership with the National Informal STEM Education Network, will build fieldwide capacity for sustainability by empowering professionals, engaging public audiences, and leveraging museum and community assets to help build a sustainable future for people and the planet. The project will engage 90 museum professionals in a six-month professional development program, who along with other staff at their organizations will receive support in planning, developing, and/or implementing a sustainability-related project that aligns with their museum’s mission and their community’s priorities. A community of practice will promote ongoing learning and sharing of experiences among program participants. Additional professionals across the museum field will benefit from an online workshop series and other resources produced by the project.
The Rochester Museum and Science Center and partners will plan, design, fabricate, and evaluate its new Water Worlds exhibition using a hybrid exhibition model that integrates hands-on science and interactive technology with authentic collections objects in immersive environments. Reimagining the gallery in this way will allow the museum’s professional staff to work with outside experts in the sciences—including environmental science, sustainability, water resources, and climate—to create a unified watershed-themed narrative for the gallery. Hands-on, inquiry-focused exhibits will inspire visitors to explore the Lake Ontario watershed and analyze critical local issues including water pollution, flooding, invasive species, and the impact of a changing climate on local waterways, as well as innovative solutions to these challenges.
Established in partnership between Bartram’s Garden and Mural Arts Philadelphia, FloatLab, a new public space and floating art object designed by artist J. Meejin Yoon, will allow visitors to engage directly with the Schuylkill River. It will offer an eye-level perspective to explore the intersections of science, nature, and art. Community planning meetings held this year at Bartram’s Garden identified safe riverfront access and youth-enrichment opportunities—especially in STEAM and related fields—as overwhelming neighborhood priorities. Program development and implementation will coincide with major capital investment along the riverfront, aligning new facilities with this new curriculum for greater exploration, access, and understanding.
The Springfield Science Museum will increase participation in informal science learning by making its educational programs and learning spaces more accessible and inclusive. Museum staff will undergo Disability Inclusion and Universal Design training to redesign and enhance a core multi-use learning space and principle STEM program that can remove physical, cognitive, and social barriers to learning. External evaluators will measure access needs and learning outcomes before and after project upgrades in order to track progress and develop a scalable model of inclusive practice for all the museum’s science programming. The result will be an improved educational experience for visitors of all ages, abilities, and backgrounds.
The Fairbanks Museum and Planetarium will design, produce, and install Science Alive—a 1,500-square-foot astronomy and meteorology exhibit—as well as develop and implement supporting programs to promote lifelong learning through participation in scientific explorations. Science Alive will leverage the museum’s strengths in meteorology and astronomy by translating these core competencies into dynamic and relevant exhibits and programs. It also will address the community’s STEM educational deficiencies through science methodologies and content. The project’s exhibition and programming components will benefit students, visitors, and the community.
This summary brief captures highlights from the evaluation report for the first year of the NSF-funded WaterMarks project (also available on this page). The purpose of this document is to communicate key updates from evaluation in a less technical way with the many different audiences who have an interest in keeping up with WaterMarks.
This is the evaluation report for the first year of the NSF-funded WaterMarks project. It reflects an initial summary of available evidence about the intended outcomes of program activities to date, as well as commentary on how the project is using (or could use) this information moving forward. This report contains descriptions of embedded measures (i.e. anonymized drawings and reflections captured on a thematic postcard) included in community walks and analyses of secondary data (i.e., interviews conducted by other members of hte project team), as well as reflections emerging from the
The poster shares work conducted as part of the Modeling Zoos and Aquariums as Inclusive Communities of Science for Autistic Individuals (MoZAICS) project and specifically sharing details of the MoZAICS access and inclusion framework (e.g., definitions, structure/levels of the framework).
The Bisbee Science Lab will solicit five open calls for proposals from science/arts collaborators for the co-creation of locally sourced, affordable, accessible, interactive exhibitions based on selected STEAM themes. They will solicit proposals on STEAM topics such as the environment, water, astronomy, geology, biology, and technology. In addition, they will conduct workshops for potential collaborators who wish to submit proposals. The process will encourage collaborations between STEAM enthusiasts, STEAM experts, artists, students, and any other interested persons or organizations. They will feature the winning exhibitions at two organization-operated facilities.
The Making Spaces project aims to contribute to a longer-term vision of a future where all UK makerspaces can be vehicles for social justice, offering spaces and resources for a wide range of communities to enhance and improve their lives, wellbeing and agency through STEM-rich making in ways that feel authentic, respectful and value the wisdom, cultures, needs, values and identities of communities. This vision includes a future where the STEM workforce is diverse and representative, where STEM is used to address key societal challenges and where people can use STEM knowledge, skills and
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TEAM MEMBERS:
Louise ArcherJen DeWittEsme FreedmanKylo Thomas
The Virginia Air and Space Center will enhance its Space Gallery exhibit and increase its capacity to deliver high-quality, high-impact STEM programming. The museum will purchase, adapt, and install three interactive, digital exhibits that will complement existing displays and enhance visitors’ overall experiences. The digital exhibits will include a moon lander that users can pilot; a simulated Mars rover and micro-copter that will allow guests to navigate a Martian atmosphere and surface; and a stellar playground where users can build their own solar system through an intuitive touch-interface that incorporates planets, stars, violent supernovas, black holes, and other space oddities. The project team will develop new curricula related to the exhibits to use with school groups and summer camps.