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resource evaluation Exhibitions
This study is the first phase of a two-part summative evaluation of a National Science Foundation-funded research/development project to investigate the development of exhibits that elicit active prolonged engagement (APE) among casual museum visitors. Naturalistic methodology was used to frame the research. Methods included unobtrusive observations, depth interviews, and tracking-and-timing. Forty-six unobtrusive observations and 35 related depth interviews were conducted on site at the Exploratorium from August 5 through 10, 2003. After all observations/interviews had been completed
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TEAM MEMBERS: Carey Tisdal Exploratorium
resource evaluation Exhibitions
Going APE! is a National Science Foundation-funded research/development project to investigate how to develop Exploratorium exhibits that elicit active prolonged engagement (APE) among casual museum visitors. As part of this research/development process, Selinda Research Associates, Inc. (SRA) conducted a summative evaluation to assess how and to what extent the exhibit units developed by the Exploratorium team were in fact APE exhibits. This report is the second of two distinct phases of the summative evaluation study. The first phase of the summative evaluation compared visitor engagement at
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TEAM MEMBERS: Carey Tisdal Exploratorium
resource evaluation Exhibitions
From the fall of 2000 through the fall of 2004, the Oregon Museum of Science and Industry (OMSI) received funding from the National Science Foundation to create a math-based exhibit for school-aged children and their families. The end result was Moneyville, a colorful and inviting traveling exhibition offered in two configurations - the original full-size 6000-square-foot version and a reduced version designed to accommodate smaller venues, such as children's museums and discovery centers. Both exhibitions were designed to teach visitors about "making economic choices with the power of
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TEAM MEMBERS: Kasi Allen Fuller Dawn Huntwork Becky Carroll Laurie Lopez Lynn Stelmah Mark St. John