This 1 1/2 hour documentary film portrays the famous anthropologist's life history, her work, and her audience against the background of 20th century American history. The proposed work, a blend of never-before-seen archival footage and stills, on-location footage, live interviews, and three newly created impressionistic vignettes, is intended for general and scholarly audiences. It is based completely upon original historical research.
The museum of Science proposes to travel a 3,000 square foot exhibit entitled "Bogs". The exhibit will introduce a poorly understood habitat, acidic wetlands, in an interdisciplinary way. the peculiar physical features of bogs has led to a popular view of them as fearful and unhealthy places. This view has led in turn, to their destruction. To show the value of bogs, the exhibit will display their unique natural history. In addition, the exhibit will explore the relationship between people and bogs in modern and pre-historic times. in Europe and in North America. The exhibit will debut at the Museum of Science, and then tour to other museums in North America.
This article features three critiques of the exhibition "MN150" at the Minnesota History Center, part of the celebration of the Sesquicentennial of the State of Minnesota. Roger Barrett, Exhibit Designer at the Science Museum of Minnesota, Liza Pryor, Project Leader in the Exhibits Department at the Science Museum of Minnesota, and Jeanne Vergeront, Principal of Vergeront Museum Planning, each provide an assessment of the exhibition.
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Roger BarrettLiza PryerJeanne W. Vergeront
This article offers new research to the discussion about the role of museums in the context of changing society. The authors hoped to add to the community discourse by sharing how they promoted and recognized visitor action in their museums. The article examines the Social Diffusion of Ideas by John Fraser, the COURAGE project by Tom Hanchett, and Time's Running Out - Act Now by Jon Deuel and Jenny Sayre Ramberg.
Kansas State University is producing a two-hour television documentary on the Tallgrass Prairie of the Flint Hills of Kansas, the last remnant of what was once the largest biome in North America. This area has survived only because its rocky soil was too much of a match for the farmer's plow. New scientific research is now beginning to ascertain just how valuable grasslands are to humankind: their salutary role in global climatology and how they provide laboratories for study of soils, species interactions, biodiversity, and ecological processes. A significant amount of this research as been conducted for more than twenty years at the Konza Prairie Research Natural Area, the longest continuous Long-Term Ecological Research site of the National Science Foundation. The scientific data that have been compiled at Konza will form the backbone of the film's content as it examines: the geological and human history of the Tallgrass Prairie, especially the displacement of the bison and the introduction of European cattle and row crop farming; the contemporary culture and economy of the Flint Hills regions which the prairie has formed; and the ecological impact of various approaches to range management, as well as various scientific and social aspects of the debate over how to glean as much value as possible from the grasslands while preserving them for future generations. The PI for the project will be David Hartnett, Professor of Biology and Director of Konza Prairie Research Natural Area. The film will be co-produced by Aimee Larrabee, an independent filmmaker who has co-produced several award-winning documentaries with the BBC, and John Altman, an independent filmmaker who has produced for PBS, A&E, Bravo, and the Discovery Channel. The 19 member advisory committee will be lead by Dr. Hartnett and by Alan Knapp, Project Director of the Konza Prairie Research Natural Area LTER program and Professor Biology at Kansas State University, and John Blair, Associate Professor of Biology at Kansas State University and nationally recognized leader in the field of soil ecology and grassland nutrient dynamics.
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TEAM MEMBERS:
David HartnettAlan KnappJohn AltmanJohn BlairAimee Larrabee
NOVA'S CENTURY OF DISCOVERY is a series of five prime-time documentary specials to be shown nationally over the Public Broadcasting Service(PBS) during late 1997 or early 1998. Altogether the programs will tell a sweeping story, celebrating the end of a remarkable century of discovery when science advance further than in all previous centuries combined, and when every scientific discipline underwent a revolution. Yet the closing of the 20th century coincides with an ever-widening gap between what scientists know and what most of the public comprehends. To increase public understanding of science, scientists, and scientific methods, the series will provide a dramatic retelling and interpretation of the century's most enduring scientific endeavors. Each two-hour program will probe several related fields of investigation and application: views of the universe and of matter; origins of the planet and of life; health, medicine, and the human body; human nature and behavior; and technology and engineering. A marriage of scholarship and entertainment, NOVA'S CENTURY OF DISCOVERY will be created using all the tools at the command of its award winning production team including archival footage and stills; personal accounts; letters, dairies, and other primary sources; computer animation; and even dramatic re-creations. Indeed, the series will not only make a unique contribution to the public and historical record, but also offer viewers an unprecedented opportunity to view 100 years of scientific pursuits as a unified whole, to recast their perceptions of science and scientists, and to be intrigued, even inspired, by a view of science as a never-ending and very human quest for answers and solutions. A special outreach and promotion campaign will increase audience awareness of the series, particularly among nontraditional PBS viewers. In addition, carefully developed teaching and learning materials will extend the series' reach into formal and informal educational settings, including high school and college classrooms, and community and youth-serving organizations.
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TEAM MEMBERS:
Paula ApsellTom FriedmanJon Palfreman
The Hugh Moore Historical Park and Museum will develop an integrated framework of exhibits on the science and technology of canals and inland waterways at the National Canal Museum (NCM) in Easton, PA., which will serve as a model for interdisciplinary public education and exhibit programs at other canal history organizations in more than 28 states, primarily east of the Mississippi River. Representatives from major waterway and industrial history sites and museums across the nation will work with NCM staff and a national advisory panel of leading informal science educators to develop, design and disseminate a series of interactive science exhibits that can travel or be replicated in museums, parks and organizations that interpret inland waterways and related industrial sites
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TEAM MEMBERS:
Edward MooneyRobert RuddKelly Austin
The Great Lakes Story is a 3,000 sq. ft. interactive traveling exhibit based on the highly successful and unique permanent exhibition at the Great Lakes Science Center. Its focus is devoted to highlighting the natural history of the Great Lakes ecosystem. The traveling exhibit will allow even more visitors around the country to understand the beauty, majesty and restoration efforts of this important national resource. Through a planned six-year tour, it is estimated "The Great Lakes Story" will be experienced by as many as three million people. There will be several components, including hands-on exhibits, organized with a centerpiece of a walk-around model of the Great Lakes region, and other interactive components. The four major areas of the exhibit are physical characteristics of the Lakes, the natural cycles and processes which shaped them over time, changes and threats to the Lakes (especially human-induced), and finally, restoration efforts to bring the Lakes back to being the rich and productive ecosystem they should be. Along with these exhibit areas, other project components are educational and marketing materials to ensure that host science centers are able to provide a complete learning experience to their youth, family, and adult audiences around the country.
Voyage of Discovery is a comprehensive and innovative project designed to provide K-12 youth in Baltimore City with an introduction to mathematics, engineering, technology, environmental science, and computer and information science, as it relates to the maritime and aerospace industries. The Sankofa Institute, in partnership with the Living Classrooms Foundation and a host of marine, informal science, community, and educational organizations, collaborate to make science relevant for inner-city youth by infusing science across the curriculum and by addressing aspects of history and culture. Youth are introduced to historical, current, and future innovations in shipbuilding as a means to learn the science, mathematics, and history associated with navigation, transportation, environmental science, and shipping. Activities will take place at the Frederick Douglass-Isaac Myers Maritime Park and Museum where students participate in intensive afterschool, Saturday, and summer sessions. Families are invited for pre-session orientation meetings and again at the end of each session to observe student progress. This project will provide over 3,900 K-12 youth with the opportunity to learn mathematics (algebra, geometry, and trigonometry), physics (gravity, density, mechanics), design, and estuarine biology while participating in hands-on sessions. Project deliverables include a 26-foot wooden boat, a working model of a dirigible, a submarine model, and pilot control panel models, all constructed by students and subsequently incorporated into exhibits at the USS Constellation Museum. The project also results in the production of two curricula--one each on celestial navigation and propulsion. Voyage of Discovery informs the literature on inquiry-based informal science education programs and strategies to engage minority and low-income youth in learning science and technology.
In fall of 1995, the Denver Museum of Natural History (DMNH) will open the Prehistoric Life Exhibits in 17,000 square feet of new exhibition space. The exhibits will be part of an on-going renaissance in paleontology at DMNH that includes research, educational programming, teacher training, and collections management. Visitors will walk through a series of nine life-size, open, prehistoric habitat dioramas -- "enviroramas"-- representing principally regional sites that feature critical events in 3.5 billion-year history of life on Earth. An extension of the Museum's tradition of diorama excellence, the enviroramas will immerse visitors in a multisensory journey, underscoring the message that vast amounts of both time and change have occurred since life began on Earth. Focus area exhibits adjacent to each envirorama will invite visitors to examine fossil evidence and scientific processes. Layered presentations will enable visitors to discover, explore, and study according to their level of interest. Excellent specimens, interpretive exhibitry and hands-on components will allow visitors to gain awareness of past patterns of environmental change and to develop literacy about and appreciation for how science and technology contribute to interpreting the fossil record. A comprehensive evaluation program will ensure that focus area exhibits are effective and provide visitors with "new eyes" for viewing the enviroramas. During exhibit construction, visitors will be able to watch from the viewing area of a state-of-the-art fossil preparation laboratory, completed in l990, as preparators rearticulate the skeletons of Diplodocus, Stegosaurus and other fossils. As part of their Prehistoric Life Exhibits experience, visitors will be able to witness on-going science activities in the laboratory. The National Science Foundation is requested to contribute $1 million over three years toward the $5.3 million Prehistoric Life Exhibits project. The exhibition and associated programming will be a major cultural and educational resource for the Rocky Mountain region , potentially reaching a diverse audience of well over a million Museum visitors and program participants annually.
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TEAM MEMBERS:
Brian McLarenRichard StuckyMerry DooleyAlan Espenlaub
WGBH Educational Foundation will explore new ways to accurately depict in a large format film the eruption of a volcano that occurred in 79 AD. One means is to use footage of Montserrat, a similar volcano that currently is erupting. In order to do this, however, they must film the volcano in the immediate future while it is still erupting and the block and ash flow is still clearly visible. Once this is completed, WGBH will conduct various testing to address such questions as the following: * Can original footage shot in large format film be used to dramatize events of the past? * Can original footage of the ash eruptions on Montserrat be used in a composite with live action footage of Vesuvius today? * Can original footage of the plumes be used in a composite with a miniature model of Vesuvius? * Can the original footage be enhanced with computer graphics, or will it need to be "degraded" to create an historical sense?
Anchorage Museum of History and Art will used this planning award to develop the script, identify artifacts, and do other preliminary planning activities for and exhibit "Lifting the Fog: Exploration of the North Pacific, 1728 - 1867." The exhibit will be a 5000 to 6000 sq. ft. presentation that will give visitors insights into the scientific discoveries made in the North Pacific during the Russian era of dominance of this area. These Russian lead voyages, which included individuals from a number of European countries, made major findings in biology, hydrography, marine science and technology, geography and cartography, and ethnography. With this planning grant, they will bring together a group of museum professionals representing a diversity of approaches including hands-on science museums, scientists, and historian of science, formal educators, native Alaskans, and an evaluator to refine the plans. Project staff will draft the concept design, draft the label text, develop the specifications for the exhibit design, and develop the catalogue, among other activities. At the end of the twelve month planing period they will have refined their exhibit theme, developed their floor plan and concept design, developed plans for the interactive and hands-on activities, developed the interpretative labels and laid plans for the complementary activities including the catalogue, a curriculum plan, and other adjunct activities such as workshops demonstrating how scientific investigation was carried out in the 19th century.