The Franklin Institute Science Museum, a major American Science Center serving more than 700,000 individuals annually, proposes to create a 3,700 square foot permanent exhibition that will promote public interest in and understanding of the concepts and principles of mathematics in concrete, tangible form. The exhibition will consist of five clusters of hands-on devices, interactive computer programs, models, and text on the themes of Geometry; Symmetry; Chance, Probability and Randomness; Series, Sequences and Limits; and "Modern Math"--Fractals, Knots and Braids and Topology. Museum staff will utilize several mathematicians as advisors and design participants and will develop adjunct educational materials for use by teachers, students, and family members. They will disseminate exhibition techniques and content by providing six collaborating museums with selected copies of exhibit devices and hardware for their use in developing temporary or permanent mathematics exhibits. Staff of the six museums will join advisors for a design conference during exhibition planning, and will provide evaluation reports on their use of the exhibit materials. Knowledge of mathematics is not only necessary for everyday life; it is central to public understanding of science and engineering, and a key to continued participation in science and engineering, and a key to continued participation in science education in high school and college. Increasing national interest improvement in the mathematical ability of americans at all levels, pre-college and college, make this proposed exhibition particularly timely.
WQED and the Pennsylvania State University have created a new archeology series titled Time Travelers: Rediscovering the Past. This eight part series will present in compelling terms the recent scientific innovations in archeology and how new techniques have added startling insights into past civilizations. The programs are aimed at the general public and will reach an estimated 7,000,000 people. The series is thematically organized around vital issues such as: New Worlds; Great Spirits; Scribes and Subscriptions; The Artisan; Power and Prestige; The Hearth; Realms of the Maya; and Collapse. A major traveling museum exhibition will parallel the series and a trade book will be developed. The Annenberg/CPB project has authorized $2 million towards production and development of instructional materials for use as a college level course. WQED has an outstanding track record in development of television series. They have won over 100 national awards in the past ten years including ten Emmys and a Peabody award. The have a distinguished Advisory Committee to oversee accuracy of content. This series is a well designed, comprehensive and effective presentation of a most "visual" discipline. Reviewers were all enthusiastic about the series and characterized the production as innovative and thoughtful.
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TEAM MEMBERS:
Jay RayvidWilliam SandersJoanna Baldwin-MalloryDavid Webster
The Museum of Science in Boston proposes a major modification of its permanent New England Wildlife Zones exhibition hall in order to improve its effectiveness with visitors with impaired sight, hearing, or mobility. They will document and share with other museums the successful methods and techniques used in the exhibition development process is an effort to improve barrier free access in the country's more than 600 science and natural history museums. The museum has completed a preliminary needs assessment with the assistance of handicapped consultants, developed alternative design solutions to problems of limited accessibility and effectiveness for the hall's existing dioramas, and organized a design team that includes senior museum exhibition and education staff and a handicapped scientist and educator as Co-PI. The Massachusetts College of Art's Adaptive Environments Center will provide assistance in design for the handicapped and evaluation will be under the direction of George Hein, head of Lesley College's Program Evaluatlion and Research Group. Following an extensive design and evaluation process, new exhibit units will be constructed as educational adjuncts to the existing hall of dioramas, and the impact of the changes will be assessed, as part of a dissemination plan that will include popular and professional papers and a "how to" work book distributed to science museum exhibit designers with the assistance of the Association of Science Technology Centers and the American Association for the Advancement of Science. This is a challenging project with the opportunity for a significant impact on handicapped individuals who are often excluded from the motivational and informational resources of science and natural history museums by unnecessary design limitations. The Museum of Science's commitment is strong, the project staff are highly qualified, and there is active participation by handicapped individuals in the project.
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TEAM MEMBERS:
Larry BellCharles HowarthBetty Davidson
Dorand Shannon New Orleans' Audubon Zoological Garden will design and construct a 3,000 square foot exhibition "Pathways to the Past" that will utilize interactive exhibits to highlight the ancestral link between birds and reptiles and to explore the ensuing development of each species. The permanent exhibition, occupying a prominent place in the newly remodeled Odenheimer building, will be used both by 125,000 school children visiting the zoo each year and for the more than one million regular visitors. More than a third of the residents of New Orleans are minority group members. Zoos are increasingly emphasizing their science communication and science education mission in the context of zoological research and species preservation. They have a substantial need for improved educational resources to better meet the needs of the large and broad cross section of their visitors. The Audubon Zoo's specific plans for interactive exhibits are well thought out, with many connections back to the living collection of the zoo. They have assembled an advisory committee and consulting team that includes scientists, zoologists, educators and science education specialists. They plan a variety of educational materials in support of the exhibition, and will communicate the results of the project to other zoos through reports, publications and presentations. More than $213,000 in direct matching support will be provided by private sources. An FY87 award of $185,915 to the Audubon Zoological Garden is recommended.
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TEAM MEMBERS:
Dale StastnyKevin BowlerPeter ShannonSteven Dorand
The investigation of naive conceptions of science has many implications for both teaching and learning. The predominant model for past investigations has been with school children or within very formal settings. Extending investigations of misconceptions to informal settings is the challenge of this research. Museum visitors' misconceptions about two topics, gravity and mechanical advantage, will be recorded through a variety of interview formats. Twenty-five persons from each of the age ranges 9-11, 12-14, 15-18, and college students/adults will be interviewed. Information from the interview will be used to modify the current exhibit or to build new prototypes. The research will determine if a modification can be made that results in individuals moving from their previous misconceptions toward a correct conceptualization of the concepts. This research will document what individuals actually learn from museum exhibits and how "front end evaluation" can be used to redesign exhibits for maximum concept learning. The proposed research is challenging and has the potential of adding significant information to science education research on misconceptions. The principal investigator is highly respected in the field of museum education and the associated staff and consultants are the top scholars in their respective fields.
The National Aquarium in Baltimore will create 20 interactive interpretive exhibits relating to cetaceans as an integral part of a new Marine Mammal complex opening in 1989. Exhibits will complement cetacean behavior demonstrations conducted by mammologists in a 1300 seat marine amphitheater. Exhibit topics and content will be developed in response to survey and evaluation data on popular interests and misconceptions about marine mammals by a design team consisting of aquarium staff, educators, marine scientists, designers, and evaluators. The resulting interactive exhibits will be seen by one and a half million visitors a year in an exhibit area adjacent to the marine amphitheater where visitors will gather prior to and after scheduled demonstrations. NSF project support will be matched by an equal contribution from the National Aquarium.
The Brookfield Zoo, operated by the Chicago Zoological Society, will develop a participatory exhibition on avian anatomy, physiology, behavior and ecology, "Be a Bird", whose overall goal is to bring biology to life with participatory exhibits in a zoo setting. The Brookfield Zoo will design and construct a permanent exhibition that uses discovery learning concepts to improve visitor understanding of birds and to motivate visitors to observe avian behavior in their everyday lives. Accompanying evaluation activities will contribute to a better understanding of informal education methods in zoos.
The Franklin Institute Science Museum will design, test, fabricate, and circulate to eight museums an exhibit, "The Science of Music: Sound Waves and Sound Forms" that will introduce visitors to the physical laws that govern sound waves. By using music as an attractive and concrete subject to engage broad public interest, the exhibit will illustrate such topics as sound wave amplitude, phase, frequency, reflection and interference. Primary support for the project comes from the eight member Science Museum Exhibit Collaborative, consisting of: the Franklin Institute Science Museum, Philadelphia, PA; Discovery Place, Charlotte, NC; the Fort Worth Museum of Science and History, Fort Worth, TX; the California Museum of Science and Industry, Los Angeles, CA; the Science Museum of Minnesota, St. Paul, MN; the Museum of Science and Industry, Chicago, IL; the Center of Science and Industry (COSI), Columbus, OH; and the Museum of Science, Boston, MA. Each has contributed $50,000 and the costs of exhibit shipping and maintenance. Direct matching fund support totals more than $381,000. The exhibit will spend three months in each location, and the total audience will exceed 1.5-million visitors over its eight museum tour. This project will extend the work of a group of museums that are already helping each other in a collaborative effort. The exhibit concept has high public appeal among groups that science finds it hard to reach, including teenagers and minorities. An FY87 award of $145,000 is recommended.
The Lawrence Hall of Science proposes to develop two 1400 square foot interactive exhibitions based on the latest research findings on the structure and function of the human brain; one for permanent display at the Hall, and one for circulation to 12 science museums over a five year period. The exhibition will use large scale models and equipment from two television programs on the brain. Substantial input from scientists and psychologists will be combined with the educational expertise of curriculum development, museum, and design staff from the Lawrence Hall of Science to create the exhibitions. Visitor and school related curriculum materials will be developed, including a video library and an auditorium show for large group school use. The Lawrence Hall of Science has more than 300,000 visitors per year and is a major science education research and development facility; the twelve host museums will reflect museums in both large and medium sized cities well distributed geographically. More than three million people will view the exhibits over a five year period. The topic is timely, the treatment substantive and educational, and the qualifications of staff and advisors high. The re-use and relationship to a major television series, "The Brain", is an ingenious and effective strategy. The Lawrence Hall of Science is matching the National Science Foundation contribution with comparable private funds. A 24-month FY87 award of $ is recommended.
The New York Hall of Science is the only major science center in the New York Metropolitan Area and serves a rapidly growing audience with both public and school-based programs and exhibits. Low income families and members of diverse minority communities are a major part of its target audience. The present award will support a major 3,000 square foot permanent exhibition on microbiology and microscopic organisms organized around themes of disease, its causes, prevention and cure, benign and beneficial microbial agents, and the nature of microscopic life. The exhibition will make extensive use of new microscopic display technologies for interactive exhibitry, with extensive formative evaluation and testing of principal exhibit components. Professional publications, an exhibit monograph and low cost videotapes will be used in national dissemination and a classroom kit based on the exhibit will be circulated widely throughout the New York Metropolitan area. This innovative project will form a significant part of the permanent exhibits of this newly reorganized science center. NSF support will constitute approximately 28% of the $ 1.3 million total project cost.
The Mississippi Museum of Natural Science proposes to build on its program of activities that involve children in science and bring them into contact with the approaches, objects and equipment that scientists use, with each activity designed to stimulate thinking and heighten interest in science. Cardinal features of the program are the development of hands-on exhibits, science kits for classroom use and a studied tie with the children's television program, "3-2-1 Contact." The goals are to coordinate these activities with hands-on science activities for students in grades 3-6, and to coordinate classroom activities with those at the museum, which conducts "3-2-1 Contact Days" throughout the year when students come to the museum and take part in experiments, observations and enrichment lessons and actively manipulate museum objects. The museum now will refine the program components, including improvement and duplication of the hands-on kits, continuation of the workshops for elementary teachers and development of new participatory exhibits dealing with insects and endangered species, and will present them to an expanded audience. One-third of the children in the state live below the poverty level, and fifty per cent represent minority populations. As most of these children lack such out-of-school experiences these informal science activities are particularly meaningful.
The American Museum of Natural History proposes to design and build a new permanent 9,000-square-foot Hall of Human Biology and Evolution over a three-year period. The exhibit is to start out with human biology and then move smoothly to human evolution and the fossil record and other evidences of early humans. The new exhibit will range from the molecular/genetic level to the emergence of human beings, and will include archeological excavations and findings, reconstruction and discussion of humanoids, early human evolution, human structure and function, and human diversity. In addition to stimulating the interests of visitors (2.7 million in 1986-87) in human biology and evolution through the use of traditional and interactive technology, the new exhibit program will provide curriculum supplement for elementary and high school classes and teacher-training guides and workshops to assist in the integration of the exhibition materials into classroom studies. The primary educational goal is to give the widest possible audience a concrete sense of where and how the human animal fits in the natural world through examination of the traits that we share with all creatures and those that are peculiar to humans. The exhibit promises further contribution by bridging the current exhibits on animal life and those on the rich ethnological collections on the diversity of human cultures. NSF dollars are to cover the costs only of planning, building and evaluating the exhibit, with no funds for staff.