The Museum of Science and Industry in Tampa, Florida, will develop a permanent exhibition and associated educational programs on natural hazards, phenomena that become "natural disasters" when they interact with the human community and its built environment. The exhibition, 9000 square feet in size, will address the science of these phenomena, the science and technology of forecasting and mitigation strategies and techniques. The exhibition features floods, hurricanes, wildfires, lightning, hail, tornadoes, earthquakes and volcanoes. The exhibition begins with an overview and a focus on the dynamic earth. It then presents a streetscape of buildings devastated by the phenomena and eight interactive areas dealing with each of the hazards. The concluding sections include a demonstration stage and a series of elements that focus on communications, community preparedness and response and forecasting. Ancillary materials include: a family exhibition guide, teacher preparation materials, classroom materials on forecasting, a distance learning program and a brochure for the public (to be developed by IBHS). Central to the project is MOSI's partnership and campus neighbor, Institute for Business and Home Safety, a nonprofit arm of the insurance industry with a mandate to educating Americans about natural disasters and ways to mitigate loss and suffering. Other partners include FEMA, USGS, Red Cross, NFPA, local schools and community based organizations. The Institute for Learning Innovation will conduct the evaluation, supplemented by action research investigations by the University of South Florida. A local high school emphasizing design and art will participate in the exhibition development process.
Seeing in the Dark will be a prime-time PBS special about stargazing -- described in the proposal as "the interaction between starlight and human beings who have a look for the love of it, whether just learning the constellations or doing amateur astronomy so advanced that it sometimes rivals professional research." The project teaches "hands-on" astronomy drawing heavily on new technology (large, inexpensive "Dobsonian" telescopes; charged-coupled light-sensing devices [CCDs}; and the Internet) that make astronomical observing practical for millions to whom it has previously been at best a remote possibility. The video will be supported by an extensive outreach effort that includes informal, family projects and formal, in-class exercises. The Astronomical Society of the Pacific will be a major outreach partner. There also is a companion book, "Seeing in the Dark," published by Simon & Schuster.
The Ocean Institute will design, develop, evaluate and install "Sea Floor Science," a 5,200 sq. ft. site-wide exhibition designed in partnership with Scripps Institution of Oceanography, the Jet Propulsion Laboratory, and the Institute of Nautical Archaeology at Texas A&M University. "Sea Floor Science" will provide opportunities for families, students and the general public to use authentic oceanographic equipment, tools and technology to recreate a world of ocean research and discovery. Visitors will experience how oceanographers are exploring the largely unknown sea floor to permit better understanding of the origin of sediments and rocks, paleoclimate reconstruction as evidenced by marine microfossils, and the dynamics of oceanic lithospheres and margins. The project is a new approach to museum exhibits. It will test innovative convertibility solutions that enable public areas to serve as both teaching stations and effective exhibits. It will also implement cost-effective update strategies to keep visitors at the forefront of scientific research. "Sea Floor Science" will reach 4,000,000 people in 22 states including on-site and on-line visitors, multi-state teacher networks, videoconferencing participants, science professionals, and replication sites at science centers and aquaria nationally.
Building on an institution-wide strategic initiative to interpret the process of science for informal learners of all ages, the Museum of Science will work over four years to develop, evaluate and implement a project to communicate the processes of science through weather forecasting. The project is based on the idea that processes involved in short-term weather forecasting are basic to the process of science. MOS proposes to create a 1,800 square foot exhibit, programs for students and teachers, an interactive website, and one-minute television spots aimed at helping people understand weather forecasting. The project is grounded in MOS strategic commitment to engaging people in the activity of science and the use of new technologies. The major component of the project is an exhibition of weather in which visitors will learn how to forecast the weather over the next few hours using different levels of technology, including naked eye observations, data from weather maps, and real-time images from space satellites and ground radar stations. Ancillary programs include educational materials for over 100 WeatherNet schools in New England, an interactive website that will reach several hundred thousand users, and television spots on the process of weather forecasting to be aired on WBZ-TV Channel 4. Over the course of its life the project will engage several million children and adults in the process of science.
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TEAM MEMBERS:
Cary SneiderMishelle MichaelsDaniel Barstow
The American Museum of the Moving Image is refurbishing the traveling exhibit, "Behind the Screen: Making Motion Pictures and Television." The exhibit, which focuses on the science and technology underlying movies and television, opened at the World Financial Center in New York City and subsequently traveled to the Kulturhuset in Stockholm, Sweden and the Technisches Museum in Vienna, Austria. It currently is at the Exploratorium in San Francisco and is scheduled to travel to COSI Toledo, Ohio in October 2001. The American Museum of the Moving Image has requests for the exhibit from the Science City, Kansas City; the Franklin Institute, Philadelphia; and the Museum of Science, Boston. However, in order for the exhibit to travel to venues beyond the Exploratorium, it needs to be refurbished and upgraded. This grant provides the funds for the exhibit to remain viable and to travel to additional venues.
The Lawrence Hall of Science at the University of California at Berkeley will develop the "Real Astronomy Experience (RAE)" in which science center visitors will explore the universe by controlling and viewing robotic telescopes via the Internet; by using image processing software to understand the images they capture; and by capturing images with a hands-on, functional telescope equipped with a Charge-Coupled Device (CCD) camera to learn how a modern telescope image-capture system works. Guided by project materials, visitors learn about the cosmos, tools and methods of scientific research, data analysis and the general progress of modern astrophysics.
The California Science Center Foundation will develop the California Science Center's Air and Space Gallery, a 12,000-square foot exhibit space. The California Science Center will reopen Aerospace Hall (closed in 1998) with new and re-designed exhibits and offer a full complement of learning experiences. Funding from NSF will support design, fabrication and core program development of the Air and Space Gallery. The Gallery will feature four themed areas that explore the depth and breadth of aeronautics and space exploration: Air and Aircraft; Humans and Their Spacecraft; Mission to the Planets; and Stars and Telescopes. Also featured will be a Discovery Room for young learners and their parents, a changing exhibit gallery and educational programs for the public and for schools.
The Anchorage Museum Association, in collaboration and partnership with the Yup'ik Calista Elders Council, will work in one year to plan exhibits, educational programs and a web site for a traveling exhibition of 19th century Yup'ik technology. The exhibit will combine masterworks from the Berlin Ethnographic Museum with Yup'ik technology from the Smithsonian Institution and present them in ways that will allow Native and non-Native visitors to gain new under-standings of Yup'ik technology from the Yup'ik point of view. The planning process will bring together with Yup'ik elders, scientists and museum professionals for a series of planning meetings, demonstrations of Yup'ik technology and workshops on raw materials and traditional manufacturing techniques, culminating in a exhibit development workshop integrating front-end evaluation, learning goals and design parameters, and formative evaluation planning.
Design Technology in After School Programs is a collaboration between science centers and community-based programs to provide "hands on" activities for children age 6-10 in an informal setting. This project enables science centers and community-based organizations to use their expertise to conduct outreach for students and their parents using activities developed. The activities will consist of a variety of design projects that will challenge children to build working models of technological devices. The materials involved in the activities are common everyday items that are usually found around the home. The project will be scaled up each of the three years to reach six science centers and 25-30 after school programs in major areas of the eastern part of the United States. The PI will produce a manual for collaboration and a design technology guide for publication and national dissemination. The cost sharing for this project is 33% of the total project budget.
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TEAM MEMBERS:
Bernard Zubrowski
resourceprojectProfessional Development, Conferences, and Networks
Working in collaboration with biomedical researchers from universities in the San Francisco area, across the nation, and abroad, the Exploratorium proposes to develop a high-quality microscopic imaging station for use by museum visitors, students, teachers and Internet visitors. This facility will utilize the highest quality optics and state-of-the-art microscopic techniques including biological staining and sophisticated digital recording. A variety of living specimens fundamental to basic biology, human development, the human genome and health-related research will be displayed. The station will be the lively center of the life sciences' area at the Exploratorium, providing educational content, dramatic imagery and regular demonstrations to reach an audience which ranges from the mildly curious to research scientists. In addition, the Exploratorium will be the first public institution, outside of a few research laboratories, to present live microscopic specimens via video and the Internet in real time. (To date, remote microscopes have generally presented inanimate objects or fixed tissue.) In order to increase student accessibility, subject matter for the imaging station will be integrated into the ongoing middle and high school teacher professional development at the museum. Teachers will be able to use the imaging station to conduct their own experiments, develop classroom explorations, take away images, access the website in their classrooms, or share materials with other teachers.