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resource research Exhibitions
This paper discusses recent efforts of zoos and museums to develop exhibits that place a greater emphasis on the uniqueness of natural areas and on what visitors can do to preserve these ecosystems. Specifically, this paper focuses on a recent project at the Brookfield Zoo to create an outdoor adventure game called Quest to Save the Earth and includes details of the design process and findings from a formative evaluation process.
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TEAM MEMBERS: Kate Irvine Carol Saunders John Scott Foster
resource research Exhibitions
In this article, Petra Seidensticker and Heiner Treinen, both of Universitat Bochum, discuss their evaluation work of the 1995 exhibition "Im Takt der Maschine," of the Deutsche Arbeitsschutzausstellung (German Exhibition for Safety on the Job, abbr. DASA) run by the Bundesanstalt fur Arbeitsschutz and Unfallforschung (Federal Institution for Worker Safety and Accident Research, BAU) in Dortmund. The purpose of the exhibition is to graphically familiarize visitors with important problems of worker safety in industrial production.
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TEAM MEMBERS: Petra Seidensticker Heiner Treinen
resource evaluation Exhibitions
Summative evaluation of the NSF- and NEH-funded Hunters of the Sky exhibition, including remedial, timing and tracking, and summative. The 5,000 square foot exhibition takes a science and humanities perspective on birds of prey. A particular focus of the evaluation was the exhibition's impact on "getting visitors to explore their own values and beliefs about the human relationship to the natural world" as well as "getting visitors to critically examine questions of economics, public policy, and environmental ethics related to the survival of raptors and their habitats." Sample data collection
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TEAM MEMBERS: Deborah Perry Karla Niehus Science Museum of Minnesota
resource project Public Programs
Through Wildlife Watch, participants gain first hand experience with plants and animals in their natural environment. The Wildlife Watch website features downloadable "watch" lists by state, and the capability for visitors to share wildlife sightings, photos and stories online. Wildlife Watch is an introductory citizen science program that is perfect for families, photographers, kids, outdoor enthusiasts and anyone who wants a deeper connection with world around them.
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TEAM MEMBERS: Jessica Jones
resource project Public Programs
Observations taken each year at the same place over a long period of time are valuable for showing phenological trends. The Konza Environmental Education Program (KEEP) began recording phenological events at Konza Prairie several years ago, and those observations are posted on the KEEP website. “What’s Blooming?” lists the procession of native plant species in bloom, and “Who’s Here?” lists the first sightings of the most common birds, mammals, reptiles, amphibians and insects that migrate, hibernate or otherwise appear on the landscape after an absence. A phenology database is available for each of the animal groups and also for plants that are commonly found on Konza Prairie in Kansas. These lists are not exhaustive but represent those plants and animals easily observed or abundant. The data added by volunteers and students becomes part of a long-term data set to show trends and relationships among plants or animals across Kansas. Phenology of the tallgrass prairie is observed by volunteers annually for the last eight yeas for the plant community and for the last five years for animals.
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TEAM MEMBERS: Konza Prairie Biological Station Valerie Wright
resource project Exhibitions
We propose to develop a series of 12 exhibits on the topic of feedback. We will create an introductory cluster of 4-5 exhibits situated in our "Patterns" section to introduce the basic concepts. We sill situate each of the remaining 708 exhibits in the area of the museum that suits it phenomenologically. A continuity in the theme of feedback will be created through Feedback Pathways (both a field trip Pathway and a general use Pathway) and associated maps which will be available in the introductory cluster> These will guide both visitors and school classes from area to area with feedback as the unifying element. The feedback behavior exemplified in these exhibits will be accessible to both young and older audiences and will be strongly connected with the "Themes of Science" listed in the California State Science Framework for Pre-College Science Education. The exhibits will receive extensive use in our teacher training programs at both the elementary and secondary level. Exhibit evaluation will take place at the level of extensive prototyping by exhibit development and teaching staff and on a more formal level in conjunction with a formative evaluation program. We will disseminate this work in a publication describing inexpensive classroom versions of Exploratorium exhibits. In addition, we will experiment with the dissemination of our work to other museums through the Internet Computer Network.
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TEAM MEMBERS: Thomas Humphrey
resource project Exhibitions
Boston Museum of Science seeks funds from the National Science Foundation for the development of a group of interactive exhibits and educational programs that will comprise the Museum's permanent TESTING THE THEORY activity center. The project is part of a new approach to exhibits that aims to make the experiences available to visitors closer to the actual process of scientific discovery. Visitors will carry out experiments in fields ranging from chemistry and cognitive psychology, to statistics, optics, and materials science. The focus will be on promoting specific experimental skills and scientific habits of mind, and on encouraging the transfer of these skills to everyday activities. The exhibit techniques developed during the prototyping and production of TESTING THE THEORY are expected to be of importance to science museums and others concerned with increasing science literacy.
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resource project Exhibitions
The Milwaukee Public Museum will develop two test stations: A Wetland/Wood Station and a Mobile Testing Station that will be used to evaluation how hands-on activities that incorporate scientific tools and methods can be applied to supplement the educational experience of traditional natural history museum dioramas. As a result of the MPM's work, visitors will become engaged in a "field experience" by means of techniques to encourage observing, recording of data, and hypothesizing using tools that a scientists might use to study the natural environment such as a hand lens, radio telemetry receiver, scales, rulers, and/or calipers. Visitors will also have the opportunity to investigate further in the "lab". Here visitors will use such tools as a computer, microscope, measuring grid, and they will be encouraged to experiment, infer, predict, and classify. The intent is to have the visitor discover how scientific information is used to support decisions in every day life. The development of these stations will be accompanied by considerable formative and summative evaluation studies. The results will be disseminated in order that other natural history museums with dioramas may replicate these ideas in order that visitors might move beyond the primary "animal identification" phase in their examination and enjoyment of dioramas.
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TEAM MEMBERS: William Hackbarth W. Carl Taylor James Kelly Allen Young Mary Korenic
resource project Exhibitions
9355625 Cassady The Children's Museum of Indianapolis is developing a new permanent 12,000 square-foot gallery, "The Wet, Wild, Wonderful World of Science: A Science Gallery That Connects Kids to Their World." Water is the catalyst for the exploration and discovery of science concepts throughout the gallery. Within the gallery are three hub context areas (Pipes and Pumps, Streams and Ponds,Tubes and Flasks) that are closely linked, both conceptually and physically. The message is that the concepts introduced in one hub also apply to the others, thus erasing artificial distinctions between natural and physical sciences. The goals of the project are: To create a gallery that will make science accessible to the museum's current and underserved visitors. To create hands-on opportunities for young people to practice scientific thinking so they may better understand the physical and natural world. To create a science education experience that promotes linkages for visitors between the learning of science in the gallery and formal and informal learning outside of the museum. To research the application of constructivist theory in the design of hands-on exhibits.
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TEAM MEMBERS: David Cassady Karol Bartlett
resource project Media and Technology
The SOUNDPRINT Media Center is producing a series of radio documentaries entitled 'Science and Technology on SOUNDPRINT,' a set of related educational and outreach materials, and multimedia non-broadcast applications. The project will include 16 original science documentaries and 21 programs repackaged as special broadcasts distributed to over 200 public radio stations in the United States, reaching over 750,000 listeners, and ten countries around the world. The programs also will be distributed on Internet Talk Radio. The 16 new Programs will be grouped around three themes: 'The Butterfly Effect' which will bring large scientific concepts describing global change to a more human level, 'Technology and Culture' which will consider the implications of technology, and 'The Consequences of Science' which will look at the broad implications of scientific research. The Executive Producer for the project is Moira Rankin. Neenah Ellis will serve as Senior Producer and will work directly with independent producers in story and script development. The Science Editors will be Ann Finkbeiner, a freelance science writer, and Barbara Culliton, Deputy Editor of 'Nature.'
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TEAM MEMBERS: Moira Rankin
resource project Exhibitions
The American Museum of Natural History is developing a 10,000 sq. ft. Hall of Life's Diversity that will interpret biodiversity, what it is, why it matters to humans, why it is under threat, and what can be done to mitigate the current pattern of extinctions. The hall will have the following sections: a) the Crisis Center that will serve as the orientation place for the exhibit and where the core principles of the exhibit will be interpreted, b) four interactive habitat models that depict major ecosystems, c) the Spectrum of Life, in which specimens, models, photographs, and interactive multimedia will be juxtaposed and will serve as a field guide to the array of animal and plant life on the planet, d) a Resource Center that is devoted to educational activities, and e) a theater/classroom space. The intended audience for the exhibit is people of all ages and learning styles. The exhibit will illuminate the crucial role that science plays in our everyday lives and will promote science literacy among adults and children. In addition to the main exhibit, there will be a broad menu of complementary programming including traveling versions of the exhibit, a teacher resource guide, and a teacher-training institute. The exhibit and complementary activities are to be coordinated with New York State's State Systemic Initiative program.
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TEAM MEMBERS: Niles Eldredge Samuel Taylor Joel Cracraft
resource project Exhibitions
LightPower is one of twelve permanent exhibits being developed for the new Orlando Science Center (OSC) in Orlando, Florida. A 4,000 square foot exhibit, LightPower places lasers in their broad scientific context by focusing on light, the electromagnetic spectrum, and on lasers and their applications. Because of the large number of laser-optics research facilities and corporations in the Central Florida region, the exhibit also includes The Optics Workbench, a career-themed activity center which emphasizes careers in optics and in scientific and technical fields that utilize lasers. LightPower is being developed by a partnership that includes the Orlando Science Center, the Orange County Public Schools, and the Center for Research and Education in Electro-Optics and Lasers at the University of Central Florida. The partnership will develop, prototype, and evaluate interactive exhibit components and associated text and labels in English and Spanish; and will develop, evaluate, and distribute hands-on career-related activities in English and Spanish for students and teachers. The goal of the LightPower exhibit is to contribute to the educational infrastructure of the Central Florida region by: - Developing an interactive exhibit that facilitates learning by a diverse public, including African Americans and Latinos, and successfully communicating with both English and Spanish-speaking audiences. - Supporting middle school, junior high, and high school science curricula, and producing and distributing printed materials that detail the relationship between exhibit components and specific curriculum performance standards. - Developing successful hands-on career-related activities for students and teachers in both English and Spanish.
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TEAM MEMBERS: Paul Deigl