It is an active time in both developmental psychology and art education. In developmental psychology some interesting new theoretical developments suggest a new level of maturity in the field. In art education there are some productive moves afoot that show that the tendency to emphasize spontaneous production in art class to the exclusion of understanding and appreciation is finally over. These are both welcome sets of changes; indeed, both are changes related to larger shifts in the cultural and intellectual climate of the 1980s.
This is a brief summary of a 1982 article in "Curator" entitled "Video vs Wall-Panel Display: An Experiment in Museum Learning," which discusses key findings from a survey of visitors who viewed a special painting exhibition at the Brooklyn Museum. Information about an artist and his work was alternately provided for visitors by color wall panels, a video display, a combination of the two, or the information was not provided at all.
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Visitor Studies AssociationJ. LandayR Bridge
The Willamette Science and Technology Center, a science museum located in the university town of Eugene, Oregon, proposes to design, construct and circulate a 1,000 square foot traveling mathematics and science exhibition, "Kaleidoscopes: Reflections of Science and Art" to 15 science museums over a three year period, reaching more than one million visitors. The exhibition will capitalize on popular interest in this 19th century optical toy to provide engaging and stimulating examples of mathematics and physics principles revealed in the exquisite symmetries and surprising patterns of kaleidoscopic reflection. Interactive exhibit modules will be combined with historic examples and the work of contemporary artists to appeal to a broad rang of ages and interests of visitors. Consultants with extensive experience with mathematics and mathematics education will assist in the design of the exhibit units and in the preparation of educational materials that will accompany the exhibition. The Smithsonian Institution Travelling Exhibition Service (SITES), will manage the circulation and maintenance of the exhibition during its travels and will publish the related educational materials and make them available to host museums. Project staff and consultant are highly qualified to carry out this project, which matches an increasing national interest in revitalizing mathematics education and a corresponding increased emphasis on mathematics education at the National Science Foundation. An award $71,310 for FY'87 is recommended.
The Franklin Institute Science Museum will design, test, fabricate, and circulate to eight museums an exhibit, "The Science of Music: Sound Waves and Sound Forms" that will introduce visitors to the physical laws that govern sound waves. By using music as an attractive and concrete subject to engage broad public interest, the exhibit will illustrate such topics as sound wave amplitude, phase, frequency, reflection and interference. Primary support for the project comes from the eight member Science Museum Exhibit Collaborative, consisting of: the Franklin Institute Science Museum, Philadelphia, PA; Discovery Place, Charlotte, NC; the Fort Worth Museum of Science and History, Fort Worth, TX; the California Museum of Science and Industry, Los Angeles, CA; the Science Museum of Minnesota, St. Paul, MN; the Museum of Science and Industry, Chicago, IL; the Center of Science and Industry (COSI), Columbus, OH; and the Museum of Science, Boston, MA. Each has contributed $50,000 and the costs of exhibit shipping and maintenance. Direct matching fund support totals more than $381,000. The exhibit will spend three months in each location, and the total audience will exceed 1.5-million visitors over its eight museum tour. This project will extend the work of a group of museums that are already helping each other in a collaborative effort. The exhibit concept has high public appeal among groups that science finds it hard to reach, including teenagers and minorities. An FY87 award of $145,000 is recommended.