This article explores how individuals, both alone and together, examine exhibits in museums and galleries. Drawing on ethnomethodlolgy and conversation analysis, it focuses on the way in which visitors encounter and experience exhibits and how their activities are organized, at least in part, with intimate regard to the actions of others in the domain, both companions and "strangers." This study contributes to the long-standing concerns of symbolic interactionism with (mutual) attention and involvement, materiality and social relations, and interpersonal communication. The data consist of
DATE:
TEAM MEMBERS:
Dirk von LehnChristian HeathJon Hindmarsh
The Whitaker Center for Science and Arts will develop two versions of an exhibit Bodies in Motion: The Physics of Human Movement. The Whitaker Center is a new cultural center to be centrally located in Harrisburg, PA and has as its theme "science through the arts." In keeping with that focus, this will be a highly interactive 2000 sq. ft. exhibit which will provide experiences that reveal the physics embodied in dance, ice skating, gymnastics, and other sports. Two versions of the exhibit will be developed, one will be for the Whitaker Center (2000 sq. ft.) and the other (1500 sq. ft.) will travel to small science centers and children's museums. The core physics concepts to be explored are mass, inertia, force, speed and velocity, acceleration, torque, momentum, angular momentum, centrifugal and centripetal force, kinetic and potential energy, gravity, and Newton's Laws of Motion. By means of the exhibits learners will explore such topics as the role of torque and rotational momentum in turns, how dancers manipulate their center of gravity to create the illusion of floating during leaps, and how physics illuminate the differences between dance and ice skating. There will be a series of complementary programs which include lecture/demonstrations by Dr. Kenneth Laws, a physicist who studies the physics of dance; teacher education programs; support materials for classroom use; professional development programs for teachers; and a brochure on physics and dance for distribution to dance schools.
DATE:
-
TEAM MEMBERS:
Elizabeth BrewerAnn MintzThomas Stone
The California Science Center will develop an exhibition, "Abracadabra: The Science of Illusion." This will be a 6000-sq.ft. traveling exhibit. The theme, the science behind magic, will help visitors understand that magic is based on the complex interplay between sensation, perception, physical science and math concepts, culture, and the art of performance. The goal of the exhibition is to use the public's fascination with magic as a bridge to learning basic science in the area of optics, electromagnetics, simple mechanics, math, physiology and psychology. The exhibit will include seven thematic sections and an enclosed theater for live and taped performances. The exhibition will open at the California Science Center in October, 2000 and then will travel to the six science centers that participate in the Science Museum Exhibit Collaborative. It is estimated about 4 million people will view the exhibition during its national tour.
The Science Place of Dallas, TX requests $47,715 for "The Psychology of Music." With this planning grant they will plan a 5,000 square-foot permanent and traveling exhibition focusing on the psychology of music. The exhibition will use the universal popularity of music as the background to develop an exhibition focusing on: (1) the psychological processes involved in perceiving and understanding music; and (2) how we can use the tools and processes of science in investigating music. The exhibition will present basic concepts concerning the physics and perception of sound. Since few interactive exhibits have been developed around the perception of music as sound, the planning grant will allow The Science Place to develop the conceptual structure for the project, develop an integrated exhibition and education plan, and prepare a business plan for marketing the new exhibition. The planning process will include front-end audience research, a review of academic research on the psychology of music, a planning session with advisors, and dissemination of findings to the museum community.
DATE:
-
TEAM MEMBERS:
William SudduthJeffrey CourtmanLeAnn BinfordPaul Vinson
The Wildlands Project is producing a four-hour television series for PBS and the CBC. The television series, "The Sacred Balance," will feature geneticist and environmental scientist David Suzuki as he examines a new vision of the human place in nature. The series aims to enrich and expand the scientific world view by looking at traditional knowledge, myth, literature and art, and by incorporating aspects of human spirituality into the insights presented by science. The aim of the project is to show that the world-view human beings have celebrated since ancient times is reemerging, transformed, from the laboratories of modern science. Moving away from reductionist techniques, researchers from many different disciplines are studying diversity, whole organisms, systems and relationships that begin in the individual cell and extend to the entire planet. The television series is designed to change the way the public acts in the world by demonstrating that what we do to the Earth we do to ourselves. Dr. Suzuki will work closely with an advisory committee in shaping the series. The members of this committee include: Lane Lubchenco: Professor of Marine Biology and Zoology, Oregon State University David Schindler: Environmental Ecologist, Department of Biological Sciences, University of Alberta E. O. Wilson: Biologist, Harvard University Sylvia Earl: Marine Ecologist and "Explorer in Residence" at the National Geographic Society, Washington, DC James Parks Morton: Former Dean, Cathedral of St. John the Divine, currently at the Interfaith Center of New York The television series will be supplemented by a new, interactive Sacred Balance website and a teachers guide. Ancillary material also will include Dr. Suzuki's trade book, "The Sacred Balance."
DATE:
-
TEAM MEMBERS:
David SuzukiRobert LangAmanda McConnell
The Exploratorium will develop a series of Internet resources on three popular topics -- cooking, gardening, and making music -- to encourage users in science education activities in relation to daily activities. The three-year project will include the development and testing of resources that explore the science behind these topics, using the notion that we all, consciously or not, are "accidental scientists" who engage in the scientific process in the course of everyday life. Target audiences include general public adults and youth. Components of the site will feature aspects of cooking, gardening, and making music that are intended to appeal to diverse communities. The resources will also serve formal education through the Exploratorium's national and local network of educators.
The MIT Media Laboratory, in collaboration with six museums, will develop the "Playful Invention and Exploration (PIE) Network," with the goal of engaging a broader audience in science inquiry and engineering by enabling more people to create, invent and explore with new digital technologies. PIE museums will integrate the latest MIT technologies and educational research into their ongoing public programs. The museums will organize MindFest events, modeled after a two-day event at MIT in 1999, at which youth, educators, artists, engineers, hobbyists and researchers came together to collaborate on invention projects. The PIE Network will disseminate PIE ideas and activities to educators and families nationally.
DATE:
-
TEAM MEMBERS:
Mitchel ResnickNatalie RuskBakhtiar MikhakMike PetrichKaren Wilkinson
The Children's Museum of Indianapolis will develop a 6,000-sq. ft. traveling exhibition about bones, helping children and adults learn about the science of bones, maintenance of healthy bone structures and the cultural and artistic uses of bones. Also, the exhibition will help inform upper elementary and middle school audiences of career possibilities in science, further an understanding of bones as revealed through modern technology and promote understanding of the skeletal system. A Web site, teacher workshops, kits and other materials and events will support learning through this exhibition.
The American Museum of the Moving Image is refurbishing the traveling exhibit, "Behind the Screen: Making Motion Pictures and Television." The exhibit, which focuses on the science and technology underlying movies and television, opened at the World Financial Center in New York City and subsequently traveled to the Kulturhuset in Stockholm, Sweden and the Technisches Museum in Vienna, Austria. It currently is at the Exploratorium in San Francisco and is scheduled to travel to COSI Toledo, Ohio in October 2001. The American Museum of the Moving Image has requests for the exhibit from the Science City, Kansas City; the Franklin Institute, Philadelphia; and the Museum of Science, Boston. However, in order for the exhibit to travel to venues beyond the Exploratorium, it needs to be refurbished and upgraded. This grant provides the funds for the exhibit to remain viable and to travel to additional venues.
The Independence Seaport Museum will create "Boat Building: Art and Science," a 3,000-square foot permanent exhibit that is designed to educate visitors about the science of boat building and design. Concepts such as buoyancy, water displacement, turbulence and drag will be explored through interactives, maritime artifacts, models and oral histories of tradesmen. By using the principles identified by the Family Science Learning Research Project of the Philadelphia/Camden Informal Science Education Collaborative (PISEC), the exhibit will be user-friendly for families with young children. Visitor workstation topics may include boat building, floating, buoyancy, sails, wind and boat shape. Visitors will use science processes while learning through open-ended play and exploration. Creative programs for families and school groups, as well as curriculum materials will support the exhibit. A website and technical training manual will also be produced. Four phases of evaluation are planned, and include front-end analysis which will incorporate focus groups with children ages 7-12, and formative evaluation using prototypes of interactives. Remedial evaluation will be carried out once the exhibit opens, and summative evaluation will use tracking and exit interviews to assess learning and understanding. The estimated annual audience of over 130,000 visitors will be expanded by replicating and traveling various components to other maritime museums in partnership with the Association of Science and Technology Centers. Evaluation of traveling components will also be undertaken to determine if they present an appropriate model for maritime-based exhibits.
The investigators address a major educational challenge by introducing a novel format and content for science education, (a) building on past successes; (b) combining development and dissemination at a new level; and (c) centered around an interactive planetarium show aimed to inform the public on an emerging scientific discipline and medical field: Tissue Engineering. For achieving a multitude of goals, the investigators propose the establishment of a unique partnership in scientific and medical education, bringing together university researchers, clinical leaders, science center experts, and students, educators and community representatives at all levels. The project is catalyzed by the Pittsburgh Tissue Engineering Initiative, a non-profit organization dedicated to the promotion of tissue engineering and its application to improving people's lives. The main goals fall in three categories, as follows: Education: - To communicate scientific information about the human body (principles of function will be emphasized over specific facts or terminology by focusing on a limited but fundamental set). -To convey the excitement and importance of tissue engineering research. The show will utilize engaging interactive demonstrations of tissue functions and illustrate the medical uses and potential of this field. Innovation: - To enhance the educational experience. The developers will use group-interactive technology as a tool for education by engaging participants as participants in the processing functions of the body. A special visualization/interactivity laboratory will be used where prototype interactive scenarios will be tested using focus groups, consultants and representatives of the target audiences. Dissemination: - To insure national distribution to other planetaria. The presentation system will utilize portable interactive technology (to be developed). It will be deployed to planetaria throughout the country, coordinated by the Association of Science and Techology Centers (ASTC). - To engage the target audience in the development process. Content development will be achieved by a consortium of leading research universities and medical centers, with input from a panel of worldclass experts. Visualization, interactivity and sound technologies will be developed in Pittsburgh, in a unique collaboration between the arts and sciences, based on past successes. Evaluation activities will be extensive, as will the range and targets of the spin-off educational materials. The Carnegie Science Center planetarium itself will serve in achieving group immersive visualization, akin to virtual reality, for improving target audience involvement. The expected outcome is a new way of delivering educational content, and a better understanding of the emerging field of tissue engineering by the general public.