This work analyses how the theme of the creation of thinking machines by man, particularly through artificial intelligence, is dealt with on stage, with reference to three plays addressing different topics and characterised by different types of performance. This analysis reveals the particular effectiveness of plays dealing with scientific topics, when the relationship between theatre and science results in reflections transcending the boundaries of its contents to address man and his essence and gives voice to the ancient question of the sense of the world.
This paper describes how a universal language for notating dance and, more generally, movement was elaborated, known as "Kinetography Laban", or rather "Labanotation". It was devised by choreographer and movement theorist Rudolf von Laban, who outlined it for the first time in 1928, in the journal Schrifttanz. His system differs from precedent notation systems in that Labanotation is rigorous and universal, as it is based not on one particular style or technique but on the general of kinetics underlying human motion. Its geometrical and abstract symbols also free it from language constraints
Theatrical action can bring out the value of the exhibits of a museum, while creating a new way of experiencing the exhibitions. Theatrical actions link education and entertainment, consequently becoming a highly effective didactic instrument. The advantages of theatre are briefly outlined, considering it as an interpretative technique to communicate science from the point of view of the goals pursued by museums, of epistemology and of theatrical research.