The Ft. Worth Museum of Science and History will plan activities related to their proposed exhibit "Texas Pre-History: How Do We Know?" This will be a 10,000 sq. ft. permanent exhibit along with a traveling exhibit and education program menu and will feature a constructivist approach to inquiry-based learning focusing on archaeological and paleontological fieldwork being carried out in Texas today. Research sites prominently featured in the exhibit will be several early Cretaceous dinosaur sites excavated by paleontologists Louis Jacobs, and Dale Winkler, Southern Methodist University, and archaeological sites from early Clovis and Dalton Periods being excavated under the direction of archeologist Reid Ferring, University of North Texas. The exhibits and complementary activities will explore the questions a) what is being learned about the prehistory of Texas b) how do scientists interpret their findings and c) what don't we know? With this planning grant, they will conduct extensive front end studies to identify key questions that visitors will have when they come to the exhibit. Meetings with advisors to develop a conceptual plan for the exhibit and educational materials. During these sessions such questions as the following will be explored. A) "How can the Museum pre-design multiple mysteries and outcomes to satisfy the interest of diverse visitors...", b) can the museum combine paleontology and archaeology without perpetuating the naive notion that dinosaurs and people lived at the same time, c) what materials and policies will be developed to handle the creationism vs evolution that might arise, and d) how will the challenges of circulating the traveling exhibit be addressed? Museum staff will travel to other museums to examine model exhibits, and project staff will work with teachers to develop project-related formal education programs.
The Calvert Marine Museum will develop an exhibit and complementary programming interpreting the Miocene Age marine life. Treasure from the Cliffs: Exploring Marine Fossils will use the world famous fossils of Calvert Cliffs as the basis for the exhibit. It is their intention to convey a strong sense of the personal process of discovery and the creative component of scientific inquiry to the exhibit visitors. In their words, "The overriding purpose of Treasure from the Cliffs is to model a new paradigm for natural history exhibits: to take a humanistic and holistic approach that recognizes the centrality of imagination to the scientific enterprise, and that engages curiosity and creativity -- as well as intellect -- in the process of science learning." Upon entering the exhibit, a visitor's interest will be peeked by seeing the large, dramatically lit, fossil Great White Shark Tooth. Visitors will get involved in the wonder and process of science at the beginning of the exhibit in the Paleontology Office/Lab and Fossil Identification area. They will then move on to see a replicated section of the Calvert Cliffs and cases illustrating how fossil deposits form. Two recreated Miocene dioramas one of which will include a full-size skeletal reconstruction of the giant fossil Great White Shark come next. Visitors will then be able to investigate on their own in a reading station and a video and demonstration theater. Visitors will exit the exhibit after a section that shows how the modern Chesapeake Bay was formed. This leads them seamlessly into the museum's next exhibit hall Estuary Patuxent: A River and its Life. The museum will develop a series of complementary programs in association with this exhibit to reach a wider audience that will include formal educators among others. They will organize a speakers service, develop a fossil field guide, and produce a video about the Great White Shark.
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TEAM MEMBERS:
Michael GottfriedS. Curtis BowmanM. Lynne Warren
The Natural History Museum of Los Angeles County will develop Lost Civilizations of the Tarim Basin. This will be a 6000 sq. ft. traveling exhibit that will introduce visitors to the extraordinary archaeological discoveries that have recently been made in the Taklamakan Desert in the Xinjiang Uyghur Autonomous Region of the People's Republic of China. Due to the arid desert conditions the preservation of sites, artifacts, and human remains is exceptional and the artifacts represent some of the oldest extant items made of perishable materials (wood, paper, silk, and leather.) What has intrigued scientists about these remains is the fact they are Indo-Europeans. These remains have challenged the scholarly world by adding fuel to an already heated debate considering the origins and development of the Indo-European peoples who inhabited the Eurasian landmass for thousands of years. Who were these people, where did they come from, and what was their role in the early development of East/West cultural contact? Not only will visitors be able to see the artifacts and learn about the culture of this extinct group, but they will also learn how archaeologists and collaborating specialists work to unravel the mysteries posed by these remains. The exhibit will be complemented by resources for formal education programs. NHM will develop 1) an on-line presentation that will include "virtual" elements of the archaeology sites and materials, 2) teacher enhancement activities, 3) curriculum materials for older elementary and secondary students, and a menu of non-formal lectures, classes, and a symposium. The museum will also produce a comprehensive, fully illustrated catalogue in both printed and digital formats. The exhibit will have five venues. It is expected to reach between 150,000 and 300,000 people at each venue.
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TEAM MEMBERS:
James OlsonAdam KesslerVincent BeggsDolkun Kamberi
Kansas State University is producing a two-hour television documentary on the Tallgrass Prairie of the Flint Hills of Kansas, the last remnant of what was once the largest biome in North America. This area has survived only because its rocky soil was too much of a match for the farmer's plow. New scientific research is now beginning to ascertain just how valuable grasslands are to humankind: their salutary role in global climatology and how they provide laboratories for study of soils, species interactions, biodiversity, and ecological processes. A significant amount of this research as been conducted for more than twenty years at the Konza Prairie Research Natural Area, the longest continuous Long-Term Ecological Research site of the National Science Foundation. The scientific data that have been compiled at Konza will form the backbone of the film's content as it examines: the geological and human history of the Tallgrass Prairie, especially the displacement of the bison and the introduction of European cattle and row crop farming; the contemporary culture and economy of the Flint Hills regions which the prairie has formed; and the ecological impact of various approaches to range management, as well as various scientific and social aspects of the debate over how to glean as much value as possible from the grasslands while preserving them for future generations. The PI for the project will be David Hartnett, Professor of Biology and Director of Konza Prairie Research Natural Area. The film will be co-produced by Aimee Larrabee, an independent filmmaker who has co-produced several award-winning documentaries with the BBC, and John Altman, an independent filmmaker who has produced for PBS, A&E, Bravo, and the Discovery Channel. The 19 member advisory committee will be lead by Dr. Hartnett and by Alan Knapp, Project Director of the Konza Prairie Research Natural Area LTER program and Professor Biology at Kansas State University, and John Blair, Associate Professor of Biology at Kansas State University and nationally recognized leader in the field of soil ecology and grassland nutrient dynamics.
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TEAM MEMBERS:
David HartnettAlan KnappJohn AltmanJohn BlairAimee Larrabee
The large format film unit at NOVA/WGBH Boston, in association with the Liberty Science Center, is producing a 40-minute large format film about the science of volcanology. Volcano: Lost City of Pompeii will tell the story of a diverse group of scientists working together, each in his or her specific field, to understand better how Vesuvius can reasonably be expected to behave - today and in the years to come. Following the scientific teams, the film will impart a basic understanding of magma flow and plate tectonics, the geological building blocks out of which volcanoes emerge. The film will blend geology with archaeology to tell an ongoing detective story - a present-day scientific investigation that integrates state of the art techniques and technology with ancient evidence derived from buildings, victims' remains, and vivid eyewitness accounts that go back nearly 2,000 years to the eruption of Vesuvius in 79 A.D. The range of scientific disciplines involved in the film includes: geochemistry, geology, geophysics, remote sensing, plate tectonics, seismology, archaeology, and volcanology. The film will be available with both captioning for the hearing impaired and visual description for visually impaired members of the audience. The film will be supported by an extensive educational outreach plan that includes: Pompeii Earth Science Exploration, a program targeting underserved and disadvantaged youth at 100 Boys & Girls Clubs nationwide; Pompeii Museum Toolkit, a blueprint enabling museums to integrate existing exhibitry with use of the film and including models for outreach initiatives built around the film; Pompeii Activity Guide, an activity guide for us with upper elementary and middle school youth in both informal and form science education settings, and; Pompeii Idea Handbook, a booklet for museums that shares successful outreach programs implemented by museums showing the film during the first year. Paula Apsell, Executive Producer of N OVA and Director of the WGBH Science Unit, will be the PI. The Co-Executive Producer will be Susanne Simpson who previously produced such large format films as Storm Chasers and To the Limit. The Key Scientific Advisor will be Richard Fisher of the University of California, Santa Barbara. Others on the advisory committee include Lucia Civetta, Director of Osservatorio Vesuvio; Diane Favro, Assoc. Prof. in the School of Arts and Architecture at UCLA; Grant Heiken, President of the Earth and Environmental Science Division of Los Alamos National Laboratory and President of the International Society of volcanology; Dan Miller, Chief of the U.S. Geological Survey's Disaster Assistance Program; Haraldur Sigurdsson, Professor in the Graduate School of Oceanography at the University of Rhode Island; and Barbara Tewksbury, Professor of Geology at Hamilton College and past president of the National Association of Geoscience Teachers. Emyln Koster, President and CEO of the Liberty Science Center, will act as key education advisor.
Jim Metzner Productions is producing a national radio designed to reach a diverse audience with compelling, current information about our environment, the science which underlies it, and the people who explore and explain it. The short-format series consists of 780 daily, 2-minute programs designed for commercial and public radio stations and delivers timely information on a full spectrum of seasonal natural phenomena, drawing supportive scientific background from biology, earth science, astronomy, and cultural anthropology. The series will make extensive use of ambient sound and interviews with scientists and knowledgeable spokespersons to present a "daily almanac" of events taking place on the day of broadcast. The series will be developed and produced by Jim with additional production support from the American Museum of Natural History. The Science content Director will be Michael Templeton and an advisory committee of eleven scientists and educators will assist in selecting specific topics for the daily programs and assure the scientific accuracy of program content.
"Living on the Edge" will be the name of an exhibit in three editions that will explore multiple edges of boundaries between land and sea, air and sea, ocean bottom and overlying water, and differing water masses. Scientists have become increasingly fascinated by the study of these edges or fronts because of the new understanding it provides regarding such basic principles as the productivity of coast waters, migrations and feeding patterns of marine life, upwelling and downwelling, chlorophyll dynamics, and water quality issues, for example. The educational objectives are to bring an understanding of coastal ocean science and its social implications to broad audiences in museums and aquaria. It will consist of eight mulit-faceted interactive activity centers totally approximately 1500 square feet. Two editions of the exhibit will become part of the permanent displays at the University of Rhode Island Graduate School of Oceanography and the Museum of Science in Boston. The third will be a traveling version; the management of which will be handled by the Association of Science and Technology Centers. It will go to 12-15 venues during its three-year tour schedule. It is estimated that a total of 2.5 million will experience this exhibit. A suite of materials will be developed for use by formal educators with all three of the exhibits. These materials will include teacher training materials, exhibit-related modules for on-site interpretive programs, and traveling kits for in-class presentations.
The Arizona Mineral Museum and the Flandrau Science Center at the University of Arizona will use this planning grant to develop a new interpretive exhibit "Minerals, Mining, and Mexico: A Cultural Bridge to Science." The University of Arizona Mineral Museum is about to receive the Miguel Romero mineral collection which is one of the most complete collections of Mexican minerals that exists. It contains over 8500 specimens and this collection plus their present collection will bring into being one of the finest regional mineral collections available. With it they will develop exhibits and programming that explore minerals and mining of Mexico and the southwestern U.S. With this planning grant, they will explore the exhibition and programming opportunities to realize their vision of creating a "living and engaging museum that promotes an understanding of basic science principles and an appreciation for the beauty and economic importance of minerals in the context of the historical and cultural perspective of the New World." The planning activities will include meetings of the advisory committee, visits to other museums, and development of two prototype exhibits. At the end of the twelve-month planning period they will have an overall script for the exhibit and recommendations for individual exhibit units, a traveling exhibit version, and curriculum materials for use by formal educators.
The Field Museum will develop a 10,000 sq. ft. exhibit "Life Underground: Foundations of the Biosphere." This exhibit will introduce visitors to underground ecosystems and the importance of soil upon which we all depend. Visitors will be invited to explore the diversity of underground organisms and the vital processes in which they participate. It will consists of three main parts: 1) Underground Expedition, where things will be enlarged 100 times life-size; 2) Changes Over Time, which will highlight the dynamic nature of soil communities and forces of change, and 3) a World Tour, which will compare soil communities from a variety of ecosystems including forests, grasslands, deserts, tundra, among others. The exhibit utilizes ideas and research from all four of the museum's academic disciplines -- botany, zoology, geology and anthropology and will incorporate hundreds of specimens from the museum's botany, mycology, and zoology collections to illustrate the diversity of organisms in and around the soil. Complementary educational programming will be developed and the project is especially targeting rural and inner city residents. School and community programs will extend the exhibit into classrooms, vacant lots, and community centers. The materials developed for use in a formal education setting will be integrated with current objectives of the existing curricula. In addition, on-line access to the content of the exhibit and complementary educational materials will be provided. The scheduled opening date for the exhibit is May, 1998 and during the ten year projected life span of the exhibit and complementary programming, it is expected that more than eight million people will be introduced to "Life Underground."
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TEAM MEMBERS:
M. Frances Muraski-StotzGregory MuellerDebra Moskovits
The National Museum of Natural History is producing 3-D and 2-D versions of a large format film on natural history. With a working title of Wonders of Life, the film will explore the diversity of life on Earth and how this diversity came to be. It will examine the biological, geological, and cultural entities that interact in myriad ways to generate, shape, and sustain the enormous biological and cultural diversity of our planet. The film will be supported by outreach material designed to support further exploration of the topic of diversity in both informal and formal settings. An inexpensive family activity guide to be available at venues that show the film will feature engaging and challenging activities for families with children ages ten through 15. A teacher resource guide, distributed free to teachers attending the film with groups of students, will be developed for use in grades 5 through 8. A classroom activity poster will be developed to serve grades 2 through 5. A Wonders of Life home page will support in-depth study of the film's topics. Larry O'Reilly, Director of The Discovery Center Project at the NMNH, will be PI and Executive Producer for the film. The Senior Scientific Advisory Board will be chaired by Dr. Robert S. Hoffman, Senior Scientist and former Assistant Secretary for Science at the Smithsonian Institution. The board also includes Sir David Attenborough, Dr. Sylvia Earle, Dr. Margaret Geller, Ivan Hattingh, and Dr. Thomas Lovejoy. Dr. Kay Behrensmeyer, Curator of Paleobiology and former Associate Director for Science at the NMNH, will lead a core team of scientists who will be directly involved in production. The film will be produced by Christopher Parsons and David Douglas will be Director of Photography.
Anchorage Museum of History and Art will used this planning award to develop the script, identify artifacts, and do other preliminary planning activities for and exhibit "Lifting the Fog: Exploration of the North Pacific, 1728 - 1867." The exhibit will be a 5000 to 6000 sq. ft. presentation that will give visitors insights into the scientific discoveries made in the North Pacific during the Russian era of dominance of this area. These Russian lead voyages, which included individuals from a number of European countries, made major findings in biology, hydrography, marine science and technology, geography and cartography, and ethnography. With this planning grant, they will bring together a group of museum professionals representing a diversity of approaches including hands-on science museums, scientists, and historian of science, formal educators, native Alaskans, and an evaluator to refine the plans. Project staff will draft the concept design, draft the label text, develop the specifications for the exhibit design, and develop the catalogue, among other activities. At the end of the twelve month planing period they will have refined their exhibit theme, developed their floor plan and concept design, developed plans for the interactive and hands-on activities, developed the interpretative labels and laid plans for the complementary activities including the catalogue, a curriculum plan, and other adjunct activities such as workshops demonstrating how scientific investigation was carried out in the 19th century.