The Museum of the Rockies will plan an exhibit "The Rockies Rise Again." When completed, this exhibit will illustrate evolving Cenozoic landscapes and life forms as understood through research conducted by the museum's staff in the Northern Rocky Mountain region. This exhibit will provide the natural historical context for visitors as they explore the cultural history exhibits that will follow this section. Together, the Museum's exhibits will illustrate the theme "One Place Through All of Time." With this award they will engage in a series of planning activities will include a front-end evaluation study of the public's knowledge and interest in this subject, consultation with expert advisors, review of related Cenozoic exhibits in selected natural history museums, and a two-day symposium which will include a dialogue about the exhibit concepts between the scientists and the public to help complete the plan. They will also hire an educator to develop an educational plan that will link the exhibit with the needs of teachers and will address national and state science standards. Special attention will be given to developing materials and dissemination strategies that will serve educators in this largely rural setting. At the end of the twelve month planing period they will have a completed exhibit and education plan and will be able to move forward with the exhibit.
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TEAM MEMBERS:
Bonnie Sachatello-SawyerChristopher Hill
The Museum of Science and Industry in Chicago is producing a large format film that examines the sun and the relationship between the earth, its inhabitants, and our mother star. SOLARMAX will present some of the newest discoveries about the sun and will place special emphasis on the defining impact of the sun on human life and culture. The influence of solar cycles on global warming will be explored and new, unprecedented high-definition images of the sun will be included for the first time in a large format film. The film will examine how multiple scientific disciplines interact to build a complete picture of the universe by delving into the history and philosophy of science, astronomy, astrophysics, solar physics, helioseismology, meteorology, spectrography, mathematics, and biology. The Museum of Science and Industry, Chicago, will serve as Executive Producer and distributor of SOLARMAX. The film will be produced by Robert Eather, an expert in magnetospheric physics and a science filmmaker. The Co-Producer, Writer, and Director will be John Weiley who previously served in these roles for the large format film, Antarctica. Advisors in the fields of space weather, solar physics, and archaeoastronomy include Louis Lanzerotte, Paul Dusenbery, Gaerhardt Haerendell, George Siscoe, and Edwin Krupp.
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TEAM MEMBERS:
Robert EatherJohn WeileyJohn WickstromMuseum of Science and Industry
The Anchorage Museum of History and Art will develop "Lifting the Fog: Russian Exploration in the North Pacific, 1728-1867." This exhibition will reveal the world of the naturalists, oceanographers, astronomers, cartographers, ethnographers and artists who first described the west coast of America and the northern Pacific Ocean to the world. Approximately 200,000 visitors to the museum will view the 5,300-sq. ft. exhibition. Public programs will complement the exhibition, including a family day, lecture series by marine biologists, living history programs, weekend workshops, and an international symposium. An illustrated catalog with interpretive essays and a school curriculum and teachers' guide will accompany the exhibition. The exhibition will travel to three additional venues in the United States.
Screenscope, Inc., is producing three programs in the PBS series, "Journey to Planet Earth." The series has the goal of helping the general public understand and cope with the difficulties of developing a global agenda that addresses the environmental concerns of the next millennium. The series will examine the earth using the latest satellite imagery as well as from providing a more closeup view through the eyes of people who inhabit the many different regions of the world. It will use intimate personal portraits to show how people's every day lives are affected by both local and global environmental pressures. The series will link the sciences with economics, politics, geography, and history. Each episode will feature four to five related stories and case studies selected from different geographic regions and about people from different ethnic and cultural backgrounds. The television series will be supported by an informal, community-based outreach program in science museums and neighborhood centers, activity kits and teaching guides, interactive workshops on the World Wide Web, and strategic partnerships with environmental organizations to raise public awareness of the series and the outreach activities. The Co-PIs and producers of the television series are Marilyn and Hal Weiner. They will work closely with a group of advisors including: Chet Cooper, Battelle/Pacific Northwest National Laboratory; Edward Frieman, Director Emeritus of the Scripps Institution of Oceanography and Vice Chancellor of the University of California; Nay Htun, United Nations Development Programme; Tom Lovejoy, Counselor to the Secretary for Biodiversity and Environmental Affairs, Smithsonian Institution; Per Pinstrup-Andersen, International Food Policy Research Institute; and Maurice Strong, Chairman of the Earth Council and former Secretary-General of the United Nations Earth Summit in Rio de Janeiro. In addition, each episode will have two research scientists who are experts on specific disciplines being featured. Outreach will be developed in association with the Chicago Academy of Sciences.
In this article, Paul Katz, Ph.D., Curator of the Texas Pharmacy Museum and partner in the PRIAM consulting firm, discusses the development of the "Playas...Gems of the Plains" traveling exhibit, produced by the Panhandle Museum Resource Sharing Consortium and later the Northwest Texas Museum Association. Katz describes the rationale behind the exhibit, its components, its uniqueness as a traveling exhibit, and evaluation findings.
This article highlights some of the diverse ways that different types of museums use place-based education to further their missions and benefit their audiences. Authors include Janet Petitpas, Assistant Director of the Bay Area Discovery Museum, Maggie Russell-Ciardi, Education Coordinator for the Lower East Side Tenement Museum, Lori Salles, Exhibit Manager at the Turtle Bay Exploration Park, and Mary Jo Sutton, Director of Exhibitions at the Bay Area Discovery Museum.
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Janet PetitpasMaggie Russell-CiardiLori SallesMary Jo Sutton
The Conservation Trust of Puerto Rico, Cornell Laboratory of Ornithology, the Interdisciplinary Center for Coastal Studies, New York Botanical Garden, Puerto Rico Youth at Risk, Boy Scouts, and others implemented a citizen science program for age 12 and older. This project targeted local residents, visitors to Hacienda La Esperanza Reserve, and members of community environmental projects on topics including archeology and human impacts on local ecosystems; conservation and restoration of wetlands; and shoreline and costal processes.
The CMN helps communities in British Columbia and Canada map sensitive habitats and species distribution. Information is integrated from many sources to assist landuse planning and is freely available in over fifty user friendly atlases. The atlases have links to local and remote databases, WMS sources and geo-referenced video. The CMN supports Sensitive Habitat Inventory and Mapping (SHIM) projects and provides customized data entry, digitizing and other tools. By providing accurate and up to date information, the CMN and its many partners will help plan sustainable communities.
The Adirondack Museum at Blue Mountain Lake, New York will develop Mining in the Adirondacks, a multi-faceted project that will include a 29,000 square foot permanent exhibit, an interactive web site module, curriculum development, and public programming. The exhibition will feature approximately 300 objects from the Adirondack Museum collection, including a tuyere plate, miners’ safety gear, picks and drills, historic photographs, an ore cart, maps, iron pigs, garnet jewelry, household items and audio recordings. A mining tunnel, open pit and mine village landscape will be incorporated to provide an immersive experience for visitors. The Mining in the Adirondacks project seeks to interpret the history of mining in the Adirondack wilderness grounded in current scholarship, best museum practice, visitor studies research, and understanding of varied learning styles. Four humanities scholars will work with museum staff.
This grant will support the production phase of a 90-minute film about the life and work of Frederick Law Olmsted. He is known as the father of American landscape architecture; what is unknown to the viewing public is the fact that he had so many different careers, trying to reform 19th-century America in surprising ways. He succeeded mightily, changed the nation, and his concerns foretold the future. But he also struggled with failure, loss, and with despair for much of his life. The project also includes a website, five short films about Olmsted parks for web distribution, and more.
The Pocumtuck Valley Memorial Association (PVMA), a nationally recognized history museum and library, in collaboration with institutional partners, is a grant for an ambitious Interpreting America’s Historic Places Planning Project focused on the compelling story of the early 19th century discovery of three-toed dinosaur tracks along a sixty-mile stretch of the Connecticut River Valley in Massachusetts and Connecticut, and the deep impression these earliest American dinosaur discoveries made on ideas, art, religion, and culture in the United States. The broad public appeal of dinosaurs will engage a wide audience in the stories of the tracks’ discoverers and the first public reactions to these finds.