In this article, Robert Kiihne, Director of Exhibits at the USS Constitution Museum, describes the planning and research process associated with the "Sailors Speak" and "A Sailor's Life for Me!" exhibitions. The team studied how to encourage Family Learning through hands-on, minds-on, exhibit elements. This article describes research results and makes recommendations about how to better engage multi-generational groups in the educational experience.
This article features critiques of the "Goose Bumps! The Science of Fear" exhibit at the Liberty Science Center. Brenda Cowan, Chairperson of the Graduate Exhibition Design program at SUNY/Fashion Institute of Technology, Paul Orselli, Chief Instigator of Paul Orselli Workshop, and Martin Weiss, Science Interpretation Consultant at the New York Hall of Science, share their analysis of the exhibition and assess its strengths and weaknesses.
In this exhibition review, Barbara Cohen-Stratner, the Judy R. and Alfred A. Rosenberg Curator of Exhibitions for The New York Public Library for the Performing Arts, examines the "Abolition200" project, programs and exhibits that commemorate the 200th anniversary of the Parliamentary act that ended British participation in the Atlantic Slave Trade. Cohen-Stratner focuses on three major exhibitions--one that commissioned a new art work, one that relabeled elements of its permanent display, and one that combined these methods--to discuss how museums can develop exhibitions and reinterpret
In this article, Rich Faron, president, and Susan Curran, director, both of Museum Explorer, Inc., explore the importance of internal relationships among museum staff. In particular, the authors outline "Five Ts for successful teams" and other ways to improve teamwork amongst museum professionals.
In this article, Beat Hachler, co-director of Stapferhaus Lenzburg, discusses his institution's unique exhibit design approach, which uses unconventional strategies to "represent the present." In particular, Hachler describes the techniques used in "A Matter of Faith: An Exhibition for Believers and Non-Believers" and its impact on visitors and museum staff.
In this article, Mariana Galvani, Commercial Manager at Laboratorio museotecnico Goppion, describes how a defining project for this "Italian-centric" company: construction of the display elements for the British Galleries at London's Victoria and Albert Museum. This job was complex and exposed the firm to a new level of cultural debate about the role of museums and a philosophy of work that it had never experienced before.
In this exhibition review, Eric Siegel, Director and Chief Content Officer at the New York Hall of Science, critiques the "Mythic Creatures: Dragons, Unicorns, and Mermaids" exhibit at the American Museum of Natural History. Siegel provides a walkthrough of the exhibit and remarks about the audience and pedagogy.
In this article, Richard Faron, independent museum consultant, discusses how the act of musuem building can unite communities and the government. Faron uses Iraq as an "imaginary case study" to investigate how museums can strengthen Iraqi identity and pride.
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TEAM MEMBERS:
Richard FaronNational Association of Museum Exhibition
In this article, Ian Kerrigan, Assistant Director of Exhibition Development at the National September 11 Memorial and Museum, articulates the importance of the 9/11 Memorial Museum being located at the World Trade Center site. Kerrigan goes on to explain how the museum is also serving as a archaeological site, how artifacts will play a pivotal role in the Museum's public spaces, and how the Museum's primary artifact is the site in and of itself. Kerrigan also describes how media is an integral element of the exhibition space that reflect the media age of era and allow visitors to share and
In this article, John Russick, Curator at the Chicago Historical Society, shares his adventurous experience participating in an archeological dig at a remote site in central Turkey. The experience taught Russick four important lessons related to exhibit development and foreign travel.
In this article, Alan Jacobson, President of ex;it and BAJdesign, shares the lessons he learned in Rwanda, while building a memorial to the 1994 Genocide, in which 1,000,000 people died in 100 days. Jacobson recounts his personal journey in Rwanda as well as how this experience reshaped his core design principles.
This article highlights four controversial exhibits from various institutions who, in the end, used controversy to their advantage. The authors include Kimberly Louagie, Curator of Exhibits at the Outagamie County Historical Society in Appleton, Wisconsin, Saudia Muwwakkil, Public Information Officer at the Martin Luther King, Jr. National Historic Site, Diane Perlov, Senior Vice President for Exhibits at the California Science Center, and John Russick, Curator at the Chicago Historical Society.
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TEAM MEMBERS:
Kimberly LouagieSaudia MuwwakkilDiane PerlovJohn Russick