This article features critiques of the Darwin Centre, a state-of-the-art science and collection facility at the Natural History Museum in London. Stephen Pizzey, Director (and Founder) of Science Projects in London, Ian Simmons, Science Communication Director at the Centre for LIfe in Newcastle upon Tyne, UK, and Harry White, Science Centre Consultant at Techniquest in Cardiff, Wales, UK, share their analysis of the exhibition and assess its strengths and weaknesses.
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TEAM MEMBERS:
Stephen PizzeyIan SimmonsHarry White
In this article, Jenni Martin, Director of Education at Children's Discovery Museum of San Jose, describes how and why her team developed a new exhibit, "The Wonder Cabinet" for children ages 4 and under and accompanying adults. Martin outlines the design process associated with this exhibit, noting challenges and best practices.
In this article, Marjorie Schwarzer, Professor of Museum Studies at John F. Kennedy University in Berkeley, California, describes eleven of the most influential exhibitions from the 20th century, according to NAME members surveyed for her book "Riches, Rivals and Radicals: 100 Years of Museums in America."
In this article, Eric Siegel, Director and Chief Content Officer at the New York Hall of Science, addresses examples of exhibitions that attempt to create experiences that communicate phenomena too big, small, slow, or abstract for normal sensory comprehension. This article also includes a case study by Gretchen Baker, Exhibition Development Manager at the Field Museum, and a case study by Tim Martin, Principal of Tim Martin Design.