On a May morning in 2007, fourth grader Joshua White hopped on a city bus with his grandmother and rode across Washington, D.C., for his first visit to the nature center at Rock Creek Park. He came to participate in the first annual national park BioBlitz organized by the U.S. National Park Service (NPS) and National Geographic.
In this article, Michael John Gorman, founding director of Science Gallery at Trinity College Dublin, Ireland, examines the recent emergence of many museum exhibits that meld art and science together to foster creative exploration of science rather than instruction. As an exemplar, Gorman discusses the design of Science Gallery, their "INFECTIOUS" project, and lessons learned.
In this article, science center and museum professionals from around the world share ways that they are engaging visitors in hands-on innovation. Work from the following organizations are discussed: Exploratorium, Discovery Center of Idaho, Lawrence Hall of Science, Iridescent, Conner Prairie Interactive History Park, Ideum, Discovery Place, Ontario Science Centre, Bootheel Youth Museum, Science Centre Singapore, Children's Museum of Phoenix, Discovery Museums (Acton, MA), Discovery Center of Springfield, Missouri, Museum of Science, Boston, Questacon--The National Science and Technology
In this article, Julie Packard, executive director of the Monterey Bay Aquarium, shares her experience launching the Center for the Future of the Oceans policy and advocacy center, in hopes that the story may serve as a useful roadmap for other institutions considering expanding their role in conservation efforts. Packard describes how the center came to fruition, the goals of the institution, public response, recommendations for future work, and implications for the broader museum community.
In this article, Wendy Pollock, ASTC's Director of Research, Publications, and Exhibitions, and J. Shipley Newlin, Program Director for Physical Sciences at the Science Museum of Minnesota (SMM), discuss "Wild Music: Sounds & Songs of Life," an exhibit produced by a partnership between ASTC, SMM, and the Music Research Institute at the University of North Carolina at Greensboro. The unique design approach incorporated sound experiences for a wider range of users, including visitors who are blind or have low vision, as well as created an overall sound environment that was meaningful and
This article describes the goals and methodology of the Field Museum in Chicago's Calumet Environmental Education Program (CEEP) in the Calumet region of southeast Chicago. The program engages students grades 4-12 in science by letting them apply what they have learned to real-life community conservation issues. Evaluation highlights and lessons learned are also included.