THE DUST BOWL is a 2-part, 4-hour documentary film series that will explore a decade-long natural catastrophe of Biblical proportions and the worst man-made ecological disaster in American history, a collective tragedy that nearly swept away the breadbasket of the nation. The series will be broadcast nationally in prime time on PBS in 2012, and will be accompanied by extensive educational outreach materials and a major promotional campaign to drive tune-in. In addition a web site will be created for the film to be housed on pbs.org.
The Kitchen Sisters will support the production of Hidden Kitchens World, a new multimedia series that explores life and culture through food across the globe. Inspired by the original NEH-funded NPR Hidden Kitchens series, this new on-air and online collaboration will feature stories exploring what people eat and grow, how food marks our sameness and differences, and how food culture adapts in the face of globalization, socioeconomic conditions and environmental changes. Each story will include perspectives from scholars, as well as video, music, photographs, curriculum and links to a curated library of resources relating to the themes raised within the stories. Funding from the NEH will help produce a multi-faced project featuring 8 stories on NPR, 1 hour-long radio specials distributed nationwide, 8 podcasts, research and development of a smart phone app, and a collaborative, humanities-rich website with audio, video, recipes, images and writings from around the world.
This award will support the production of a two-hour documentary about one of the great milestones in the history of flight: the 1935 crossing of the Pacific Ocean by a Pan American Airways flying boat called the China Clipper. The Pacific crossing was a technological achievement that captured the world’s imagination in much the way the space program did a generation later. It also began the era of transoceanic flight – an era that would lead to profound changes in American foreign policy, commerce and the very way Americans saw the world. Produced by one of the makers of "Forgotten Genius," NOVA's NEH-funded, Emmy Award-winning biography of black chemist Percy Julian, "Across the Pacific" will combine dramatic re-enactments, interviews with scholars, and films and photographs drawn from the rich archival record about the early days of commercial aviation.
This grant will support the production phase of a 90-minute film about the life and work of Frederick Law Olmsted. He is known as the father of American landscape architecture; what is unknown to the viewing public is the fact that he had so many different careers, trying to reform 19th-century America in surprising ways. He succeeded mightily, changed the nation, and his concerns foretold the future. But he also struggled with failure, loss, and with despair for much of his life. The project also includes a website, five short films about Olmsted parks for web distribution, and more.
The Pocumtuck Valley Memorial Association (PVMA), a nationally recognized history museum and library, in collaboration with institutional partners, is a grant for an ambitious Interpreting America’s Historic Places Planning Project focused on the compelling story of the early 19th century discovery of three-toed dinosaur tracks along a sixty-mile stretch of the Connecticut River Valley in Massachusetts and Connecticut, and the deep impression these earliest American dinosaur discoveries made on ideas, art, religion, and culture in the United States. The broad public appeal of dinosaurs will engage a wide audience in the stories of the tracks’ discoverers and the first public reactions to these finds.
This feature documentary will join film to humanities scholarship in investigating the historical production of nuclear waste, the present character of communities living with that waste, and the combined efforts of sociologists, anthropologists, writers, and scientists to imagine how to guard this material into the 10,000-year future. Drawing on important work in environmental (land) history, ethics, and politics, as well as work on the cultural anthropology of the nuclear world, the film “Containment” examines how the Cold War transformed the American landscape, how nuclear waste compels us today—in lands across the United States and beyond—to examine our most basic views about the control and ethics of land use, and how 24,000-year half-life of plutonium pushed scientists and humanists into the Congressionally-demanded business of imagining a ten-thousand year human future in order to mark and isolate nuclear waste.
In 2010, the National Oceanic and Atmospheric Administration awarded the Science Museum of Minnesota (SMM) an Environmental Literacy Grant for Science Education. Over the course of four years, SMM’s Planet Earth Decision Theater project developed new Science on a Sphere (SOS) programming, films and other scientific visualizations all intended to increase public understanding of the major role that humanity now plays in creating large-scale global change. Evaluation Questions 1. Are the components interesting and enjoyable? 2. Are visitors aware of the components’ main messages? 3. Do visitors
The Physics and Chemistry Education Technology (PhET) Project is developing an extensive suite of online, highly-interactive simulations, with supporting materials and activities for improving both the teaching and learning of physics and chemistry. There are currently over 70 simulations and over 250 associated activities available for use from the PhET website (http://phet.colorado.edu). These web-based resources are impacting large number of students. Per year, there are currently over 4 million PhET simulations run online and thousands of full website downloads for offline use of the simulations. The goal is that this widespread use of PhET's research-based tools and resources will improve the education of students in physics and chemistry at colleges and high schools throughout the U.S. and around the world. This PhET project combines a unique set of features. First, the simulation designs and goals are based on educational research. Second, using a team of professional programmers, disciplinary experts, and education research specialists enables the development of simulations involving technically-sophisticated software, graphics, and interfaces that are highly effective. Third, the simulations embody the predictive visual models of expert scientists, allowing many interesting advanced concepts to become widely accessible and revealing their relevance to the real world. And finally, the project is actively involved in research to better understand how the design and use of simulations impacts their effectiveness - e.g. investigating questions such as "How can these new technologies promote student understanding of complex scientific phenomena?" and "What factors inhibit or enhance their use and effectiveness?".
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TEAM MEMBERS:
Katherine PerkinsMichael DubsonNoah FinkelsteinRobert ParsonCarl Weiman
Overview of the Local Voices, Clever Choices Project: As part of the National Science Foundation funded "Sustainability: Promoting Sustainable Decision Making in Informal Education" project, the Oregon Museum of Science and Industry (OMSI) and its partners developed a bilingual (Spanish/English) outreach campaign- Local Voices, Clever Choices/Nuestras voces, nuestras decisiones. The goal of this and other deliverables was to promote sustainable decision making by building skills that allow participants to weigh the tradeoffs of their choices and thereby choose more sustainable practices. The
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TEAM MEMBERS:
Oregon Museum of Science and IndustryRenee B. CurtisKyrié Thompson Kellett
Investigators from the MIT Media Lab will develop and study a new generation of the Scratch programming platform, designed to help young people learn to think creatively, reason systematically, and work collaboratively -- essential skills for success in the 21st century. With Scratch, young people (ages 8 and up) can program their own interactive stories, games, animations, and simulations, then share their creations with others online. Young people around the world have already shared more than 1 million projects on the Scratch community website (http://scratch.mit.edu). The new generation, called Scratch 2.0, will be fully integrated into the Internet, so that young people can more seamlessly share and collaborate on projects, access online data, and program interactions with social media. The research is divided into two strands: (1) Technological infrastructure for creative collaboration. With Scratch 2.0, people will be able to design and program new types of web-based interactions and services. For example, they will be able to program interactions with social-media websites (such as Facebook), create visualizations with online data, and program their own collaborative applications. (2) Design experiments for creative collaboration. As the team develops Scratch 2.0, they will run online experiments to study how their design decisions influence the ways in which people collaborate on creative projects, as well as their attitudes towards collaboration. This work builds on a previous NSF grant (ITR-0325828) that supported the development of Scratch. Since its public launch in 2007, Scratch has become a vibrant online community, in which young people program and share interactive stories, games, animations, and simulations - and, in the process, learn important computational concepts and strategies for designing, problem solving, and collaborating. Each day, members of the Scratch community upload nearly 1500 new Scratch projects to the website - on average, a new project almost every minute. In developing Scratch 2.0, the team will focus on two questions from the NSF Program Solicitation: (1) Will the research lead to the development of new technologies to support human creativity? (2) Will the research lead to innovative educational approaches in computer science, science, or engineering that reward creativity?
Intellectual Merit: The intellectual merit of the project is based on its study of how new technologies can foster creativity and collaboration. The investigators will conduct design experiments to examine how new features of Scratch 2.0 engage young people in new forms of creative expression, collaboration, learning, and metadesign. Young people are already interacting with many cloud-based services (such as YouTube and Facebook). But Scratch 2.0 is fundamentally different in that it aims to engage people in programming their own projects and activities in the cloud. With Scratch 2.0, young people won't just interact with the cloud, they will create in the cloud. The goal is to democratize the development of cloud-based activities, so that everyone can become an active contributor to the cloud, not just a consumer of cloud-based services. This development and study of Scratch 2.0 will lead to new insights into strategies for engaging young people in activities that cultivate collaboration and creativity. Broader Impacts: The broader impact of the project is based on its ability to broaden participation in programming and computer science. The current version of Scratch has already helped attract a broader diversity of students to computer science compared to other programming platforms. The investigators expect that the collaboration and social-media features of Scratch 2.0 will resonate with the interests of today's youth and further broaden participation. Integration of Scratch into the introductory computer science course at Harvard led to a sharp reduction in the number of students dropping the course, and an increase in the retention of female students. There have been similar results in pre-college courses. The National Center for Women & Information Technology (NCWIT) calls Scratch a promising practice for increasing gender diversity in IT.